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Videos uploaded by user “New Museum” for the 2016
Introducing Our Spring 2016 Exhibitions
 
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Over the past 38 years, the New Museum has maintained a long-standing advocacy for women artists as a hallmark of its mission. On view through Spring 2016 are five solo exhibitions of work by women artists including Nicole Eisenman, Goshka Macuga, Cally Spooner, Andra Ursuta, and Beatriz Santiago Muñoz. New Museum has partnered with D K N Y for this series of exhibitions showcasing these multidisciplinary artists. http://www.newmuseum.org/exhibitions
Views: 948 New Museum
NON: Legacy Systems: Interview with Chino Amobi, Nkisi, and Angel-Ho, R&D Season: LEGACY
 
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The New Museum presents “NON: Legacy Systems” in partnership with Red Bull Music Academy on Friday May 20, 2016 at 7 PM. Click here for more information on the upcoming event: http://www.newmuseum.org/calendar/view/non-legacy-systems This video is part of an interview series for the New Museum's Spring 2016 R&D Season Fellowship, produced by Cory Tamler. Interviewees: Chino Amobi, Nkisi (Melika Ngombe Kolongo), and Angel-Ho (Angelo Antonio Valerio), cofounders of NON Records. -- NON is a multinational collective of artists from Africa and the African diaspora that expressly aims to articulate and challenge visible and invisible structures of power through the primary medium of sound. For this event at the New Museum, NON cofounders Chino Amobi, Angel-Ho, and Nkisi will perform individually and then together as a trio for the first time. Premiering new video work and making use of visual signs associated with both corporate brand identity and militant solidarity, the group will create a space for a concept of borderless “NON citizenry” that aligns with their mission to challenge binaries and boundaries across virtual and physical realms. With music that resists genres and incorporates samples, global beats, distortion, dissonance, and ambiance, NON describes their sound as “a weapon to destabilize and de-territorialize our audience; through this process of sonic reclamation and reterritorialization, we redirect the listeners’ attention to our message.” NON: Legacy Systems is organized as part of the New Museum Spring 2016 R&D Season: LEGACY, which explores the ways and means by which our connections to the past are actively produced, evaluated, maintained, reproduced, and refuted. Examined across various presentational and pedagogical formats, LEGACY and its constructs are considered with respect to fashion, the readymade, utopian communities, institutional histories, and social choreographies. NON: Legacy Systems at the New Museum is organized by Emily Mello, Associate Director of Education. Tickets to this event include entry to the Red Bull Music Academy after-party Inter-Zone: NON vs. N.A.A.F.I at Tropical 128. NON: Legacy Systems is presented in partnership with Red Bull Music Academy. Additional support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.
Views: 953 New Museum
Open Score 2016: Panel 2: Liking and Critiquing, presented by New Museum and Rhizome
 
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This video documentation is part two of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate Open Score an annual symposium that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supported by the Robert Rauschenberg Foundation, Open Score: Art and Technology 2016 will mark the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology. The conference’s title is taken from Rauschenberg’s live performance Open Score during one of E.A.T.’s most iconic events, “9 Evenings: Theatre and Engineering.” Liking and Critiquing How are the quality and texture of art criticism evolving in the digital age? This panel will address the following questions, among others: Is the expanded field of debate and art criticism—from the online platforms of magazines to viral Instagram posts—altering the boundaries of art? What problems accompany the greater immediacy that social media affords? How is this discourse shaped by platform design and its underlying mandates? How do magazines and journals operate within and speak to this new context? What voices are encouraged to speak, and which, if any, are quieted? Speakers Brian Droitcour, writer and Associate Editor, Art in America; Kimberly Drew, Founder, Black Contemporary Art, and author of @museummammy; Laura McLean-Ferris, writer and curator; and Jerry Saltz, Senior Art Critic, New York magazine Moderator Ed Halter, writer and Cofounder, Light Industry
Views: 1964 New Museum
Cheryl Donegan: “EXTRA LAYER” Fashion Show: Interview with Cheryl Donegan, R&D Season: LEGACY
 
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Please join us on Thursday April 7, 2016 at 7 PM for “Cheryl Donegan: EXTRA LAYER Fashion Show,” produced in cooperation with Print All Over Me. Click here for more information on the upcoming event: http://www.newmuseum.org/calendar/vie... This video is part of an interview series for the New Museum's Spring 2016 R&D Season Fellowship, produced by Cory Tamler. -- As the culmination of Cheryl Donegan’s four-month residency and exhibition at the New Museum, presented through the Department of Education and Public Engagement’s R&D Season: LEGACY, the artist will premiere “EXTRA LAYER,” a collection of outerwear commissioned by the Museum that advances her foray into fashion. Produced in cooperation with Print All Over Me and styled with accessories sourced from eBay and her own personal collection, the project extends Donegan’s exploration of the consumption and production of forms taken from mass culture, middlebrow design, and art history. The collection will nod to the deconstructed forms of visionary fashion designer Martin Margiela, particularly his humble tuxedo T-shirt. This event is organized on the occasion of “Cheryl Donegan: Scenes + Commercials,” an exhibition and a residency organized by the Department of Education and Public Engagement as part of its R&D Season: LEGACY, in which Donegan continues her exploration of the production and consumption of images in mass culture, middlebrow design, and art history. The exhibition presents works that span Donegan’s career, from the early ’90s to the present, tracing conceptual threads that run across her practice, including her interest in the mediated image, compressed space, and the mark’s indexical relation to the body. Throughout the run of the exhibition, the Resource Center will feature a major new installation by Donegan, titled “Concept Store,” that displays garments, drawings, prints, and textiles she has produced alongside items she has sourced from websites such as eBay. In this installation and the other works in “Scenes + Commercials,” the artist engages in a process of “refashioning the readymade” by alluding to longer histories of repurposing in both art and culture. “Cheryl Donegan: Scenes + Commercials” is made possible by support provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund. Artist commissions at the New Museum are generously supported by the Neeson / Edlis Artist Commissions Fund. Artist residencies are made possible, in part, by Laurie Wolfert. Further exhibition support is provided by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council. Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund, and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum. Special thanks to Electronic Arts Intermix.
Views: 395 New Museum
Open Score 2016: Panel 4: The Future of Internet Art, presented by New Museum and Rhizome
 
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This video documentation is part four of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate an annual symposium titled "Open Score" that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of "Open Score" will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supported by the Robert Rauschenberg Foundation, "Open Score: Art and Technology 2016" will mark the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology. The conference’s title is taken from Rauschenberg’s live performance Open Score during one of E.A.T.’s most iconic events, “9 Evenings: Theatre and Engineering.” Panel 4: The Future of Internet Art Over the course of two decades, the nascent field of internet-based practice has exploded into the mainstream and become ubiquitous. The internet is no longer a new medium but a mass medium that permeates every aspect of culture and society internationally. In light of this, what is the future for the field of art engaged with the internet? Will it continue to offer artists the opportunity to connect with publics directly, without relying on art institutions? How will the history of internet art continue to inform its future, given the problems of creating digital social memory? How will the web’s increased competition from locked-down applications change digital cultural production and distribution? What has internet art’s embrace by the mainstream of contemporary art and popular culture done to its form and visibility? Will there be such a thing as internet art ten years from now, or will all art created before the internet, as the artist Oliver Laric has suggested, simply be “pre-internet art”? Speakers Constant Dullaart, artist and winner of the Rhizome Prix Net Art; Shawné Michaelain Holloway, artist; Peter Russo, Director, Triple Canopy; and Colin Self, artist Moderator Michael Connor, Artistic Director, Rhizome
Views: 1790 New Museum
Open Score 2016: Intro + Panel 1: Generation You, presented by New Museum and Rhizome
 
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This video documentation is part one of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate an annual symposium titled "Open Score" that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of "Open Score" will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supported by the Robert Rauschenberg Foundation, "Open Score: Art and Technology 2016" will mark the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology. The conference’s title is taken from Rauschenberg’s live performance Open Score during one of E.A.T.’s most iconic events, “9 Evenings: Theatre and Engineering.” Opening Remarks Lisa Phillips, Toby Devan Lewis Director, the New Museum Introduction to First Session Michael Connor, Artistic Director, Rhizome, and Lauren Cornell, Curator and Associate Director, Technology Initiatives, the New Museum Panel 1: Generation You The rise of web 2.0 in the mid-2000s promised to democratize culture by putting individual participation center stage. A decade later, we have a more thorough grasp of the specific kind of self-expression that social media offers. On the one hand, it is limiting and restrictive: the users get little, while the platform reaps the benefits of their labor. On the other, it retains the ability to challenge prevailing cultural hierarchies and to facilitate the performance of new kinds of subjectivity. This panel will address a number of questions, including: How has social media influenced art production and remapped its boundaries and power structures? How do artists navigate pressures of commercialization and self-branding? And, what is the status of authenticity amid pervasive performance and self-branding? Speakers Jacob Ciocci, artist; Simon Denny, artist; Juliana Huxtable, artist; and Cathy Park Hong, poet Moderator Andrew Durbin, poet and writer
Views: 1840 New Museum
Interview: Michael Kliën, Excavation Site: Martha Graham U.S.A.
 
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Michael Kliën, Excavation Site: Martha Graham U.S.A. Saturday January 16 3–7 PM Tickets: http://www.newmuseum.org/calendar/view/michael-klien-em-excavation-site-martha-graham-u-s-a-em This event occurs off-site at Martha Graham Studio Theater, 55 Bethune St., Floor 11, Manhattan. Audiences are invited to explore the work for any length of time and are encouraged to move freely between spaces. In this one-time-only dance event, a multigenerational group of performers from the Martha Graham Dance Company’s past, present, and future will excavate their relationships to Graham and the underlying “movement forces” that bind them to one another, to Graham, and to the Company. Organized by Austrian choreographer and artist Michael Kliën, Excavation Site: Martha Graham U.S.A. bypasses the institutionalized social structures of the Company to uncover new paths of organization and potential between its participants. The work utilizes strategies of social choreography developed in collaboration with dramaturge Steve Valk, who has organized a complementary discursive component that will unfold alongside the performance in adjacent spaces. Excavation Site: Martha Graham U.S.A. is co-presented by the New Museum, within the Spring 2016 R&D Season: LEGACY; Martha Graham Dance Company, as part of its 90th season; and Performance Space 122, as part of the COIL 2016 Festival. This event is generously supported by the Austrian Federal Ministry for Education, Arts and Culture and the Austrian Cultural Forum New York.
Views: 471 New Museum
Cheryl Donegan: “EXTRA LAYER” Fashion Show: Interview with Richard Haines, R&D Season: LEGACY
 
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Please join us on Thursday April 7, 2016 at 7 PM for “Cheryl Donegan: EXTRA LAYER Fashion Show,” produced in cooperation with Print All Over Me. Click here for more information on the upcoming event: http://www.newmuseum.org/calendar/vie... This video is part of an interview series for the New Museum's Spring 2016 R&D Season Fellowship, produced by Cory Tamler. Interviewee: Richard Haines (Artist, Fashion Illustrator). -- As the culmination of Cheryl Donegan’s four-month residency and exhibition at the New Museum, presented through the Department of Education and Public Engagement’s R&D Season: LEGACY, the artist will premiere “EXTRA LAYER,” a collection of outerwear commissioned by the Museum that advances her foray into fashion. Produced in cooperation with Print All Over Me and styled with accessories sourced from eBay and her own personal collection, the project extends Donegan’s exploration of the consumption and production of forms taken from mass culture, middlebrow design, and art history. The collection will nod to the deconstructed forms of visionary fashion designer Martin Margiela, particularly his humble tuxedo T-shirt. This event is organized on the occasion of “Cheryl Donegan: Scenes + Commercials,” an exhibition and a residency organized by the Department of Education and Public Engagement as part of its R&D Season: LEGACY, in which Donegan continues her exploration of the production and consumption of images in mass culture, middlebrow design, and art history. The exhibition presents works that span Donegan’s career, from the early ’90s to the present, tracing conceptual threads that run across her practice, including her interest in the mediated image, compressed space, and the mark’s indexical relation to the body. Throughout the run of the exhibition, the Resource Center will feature a major new installation by Donegan, titled “Concept Store,” that displays garments, drawings, prints, and textiles she has produced alongside items she has sourced from websites such as eBay. In this installation and the other works in “Scenes + Commercials,” the artist engages in a process of “refashioning the readymade” by alluding to longer histories of repurposing in both art and culture. “Cheryl Donegan: Scenes + Commercials” is made possible by support provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund. Artist commissions at the New Museum are generously supported by the Neeson / Edlis Artist Commissions Fund. Artist residencies are made possible, in part, by Laurie Wolfert. Further exhibition support is provided by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council. Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund, and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum. Special thanks to Electronic Arts Intermix.
Views: 431 New Museum
Visionaries Series: Hilton Als
 
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Hilton Als, author and critic, was featured as this year’s Visionary speaker. The Stuart Regen Visionaries Series at the New Museum, supported by the Stuart Regen Visionaries Fund, honors forward-thinking leaders in the fields of art, architecture, design, film, and related disciplines of contemporary culture. Now in its seventh season, the annual series spotlights innovators who shape intellectual life and define the future of culture. http://www.newmuseum.org/calendar/view/visionaries-series-hilton-als
Views: 995 New Museum
Open Score 2016: Panel 3: Art in an Overseen World, presented by New Museum and Rhizome
 
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This video documentation is part three of a four part series from a symposium that took place on January 30, 2016 at the New Museum. The New Museum and Rhizome jointly inaugurate Open Score an annual symposium that will explore the state of art and technology today. Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media’s mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies. Supported by the Robert Rauschenberg Foundation, Open Score: Art and Technology 2016 will mark the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology. The conference’s title is taken from Rauschenberg’s live performance Open Score during one of E.A.T.’s most iconic events, “9 Evenings: Theatre and Engineering.” Introduction to Second Session Zachary Kaplan, Executive Director, Rhizome Panel 3: Art in an Overseen World Being seen by a boundless audience is now the norm—be it friends and followers or data-mining bots who are looking on. This panel will explore the ways artists and activists are responding to our new conditions of visibility by considering tactics of withdrawal, obfuscation, and even assimilation (“normcore”), while others are questioning whether such tactics limit the potential to build empathy and solidarity. This session will focus on questions such as: What new works or activist tactics are emerging in this context? Are withdrawal and obfuscation “weapons of the weak” or potent means for transgressing and critiquing power? And, how do online communities—artistic, political, or subcultural—form amid a cultural space so quick to appropriate and commercialize difference? Speakers Simone Browne, Associate Professor, Department of African and African Diaspora Studies at the University of Texas at Austin; Adrian Chen, writer and researcher; Rob Horning, writer, Marginal Utility, and Editor, the New Inquiry; and Emily Segal, Cofounder, K-HOLE Moderator Lauren Cornell, Curator and Associate Director, Technology Initiatives, the New Museum
Views: 794 New Museum
Jim Shaw in Conversation with Massimiliano Gioni
 
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Join artist Jim Shaw and Massimiliano Gioni, Artistic Director at the New Museum, for a discussion of Shaw’s practice and the exhibition “The End is Here.” Over the past thirty years, Shaw has become one of the United States’ most influential and visionary artists, moving between painting, sculpture, and drawing, and building connections between his own psyche and America’s larger political, social, and spiritual histories. Shaw mines his imagery from the cultural refuse of the twentieth century, using comic books, record covers, conspiracy magazines, and obscure religious iconography to produce a portrait of the nation’s subconscious. Although a recognized icon of the Los Angeles art scene since the 1970s, Shaw has never had a comprehensive museum show in New York. This exhibition, which will encompass three floors of the New Museum, will reveal the breadth and inventiveness of his art. A comprehensive selection of his works will be presented alongside objects from his collections of vernacular art and religious didactic materials. Jim Shaw was born in 1952 in Midland, Michigan, and lives and works in Los Angeles, California. He received a BFA from the University of Michigan, Ann Arbor, in 1974 and an MFA from the California Institute of the Arts in 1978. Shaw has had major solo exhibitions at the Chalet Society, Paris (2014); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Los Angeles County Museum of Art (2012); CAPC, musée d’art contemporain de Bordeaux, France (2010); P.S.1 Contemporary Art Center, Long Island City (2007); and Casino-Luxembourg—Forum d’Art contemporain, Luxembourg (1999). His work has been featured in a number of important international group exhibitions, including “The Encyclopedic Palace: 55th International Art Exhibition,” Venice Biennale (2013); “Sunshine & Noir: Art in L.A., 1990–1997,” Louisiana Museum of Modern Art, Humlebaek, Denmark (1997); “Helter Skelter: L.A. Art in the 1990s,” LA MOCA (1992); and the 1991 and 2002 Whitney Biennials; among others. http://www.newmuseum.org/calendar/view/jim-shaw-in-conversation-with-massimiliano-gioni
Views: 628 New Museum
Cheryl Donegan:“EXTRA LAYER” Fashion Show: Interview Part II, R&D Season: LEGACY
 
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Please join us on Thursday April 7, 2016 at 7 PM for “Cheryl Donegan: EXTRA LAYER Fashion Show,” produced in cooperation with Print All Over Me. Click here for more information on the upcoming event: http://www.newmuseum.org/calendar/view/cheryl-donegan-extra-layer-fashion-show-produced-in-cooperation-with-print-all-over-me This video is part two of a four-part interview series produced by Cory Tamler, Spring 2016 R&D Season Fellow. Interviewees: Meredith Finkelstein (Co-Founder, Print All Over Me) and Amy Cakes (Collaboration Coordinator, Print All Over Me). -- As the culmination of Cheryl Donegan’s four-month residency and exhibition at the New Museum, presented through the Department of Education and Public Engagement’s R&D Season: LEGACY, the artist will premiere “EXTRA LAYER,” a collection of outerwear commissioned by the Museum that advances her foray into fashion. Produced in cooperation with Print All Over Me and styled with accessories sourced from eBay and her own personal collection, the project extends Donegan’s exploration of the consumption and production of forms taken from mass culture, middlebrow design, and art history. The collection will nod to the deconstructed forms of visionary fashion designer Martin Margiela, particularly his humble tuxedo T-shirt. This event is organized on the occasion of “Cheryl Donegan: Scenes + Commercials,” an exhibition and a residency organized by the Department of Education and Public Engagement as part of its R&D Season: LEGACY, in which Donegan continues her exploration of the production and consumption of images in mass culture, middlebrow design, and art history. The exhibition presents works that span Donegan’s career, from the early ’90s to the present, tracing conceptual threads that run across her practice, including her interest in the mediated image, compressed space, and the mark’s indexical relation to the body. Throughout the run of the exhibition, the Resource Center will feature a major new installation by Donegan, titled “Concept Store,” that displays garments, drawings, prints, and textiles she has produced alongside items she has sourced from websites such as eBay. In this installation and the other works in “Scenes + Commercials,” the artist engages in a process of “refashioning the readymade” by alluding to longer histories of repurposing in both art and culture. “Cheryl Donegan: Scenes + Commercials” is made possible by support provided by the Toby Devan Lewis Emerging Artists Exhibitions Fund. Artist commissions at the New Museum are generously supported by the Neeson / Edlis Artist Commissions Fund. Artist residencies are made possible, in part, by Laurie Wolfert. Further exhibition support is provided by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council. Endowment support is provided by the Rockefeller Brothers Fund, the Skadden, Arps Education Programs Fund, and the William Randolph Hearst Endowed Fund for Education Programs at the New Museum. Special thanks to Electronic Arts Intermix.
Views: 156 New Museum
Interview: Steve Valk, Excavation Site: Martha Graham U.S.A.
 
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Interview with Steve Valk, conducted by New Museum R&D Season Fellow Cory Tamler. Michael Kliën, Excavation Site: Martha Graham U.S.A. Saturday January 16 3–7 PM Tickets: http://www.newmuseum.org/calendar/view/michael-klien-em-excavation-site-martha-graham-u-s-a-em This event occurs off-site at Martha Graham Studio Theater, 55 Bethune St., Floor 11, Manhattan. Audiences are invited to explore the work for any length of time and are encouraged to move freely between spaces. In this one-time-only dance event, a multigenerational group of performers from the Martha Graham Dance Company’s past, present, and future will excavate their relationships to Graham and the underlying “movement forces” that bind them to one another, to Graham, and to the Company. Organized by Austrian choreographer and artist Michael Kliën, Excavation Site: Martha Graham U.S.A. bypasses the institutionalized social structures of the Company to uncover new paths of organization and potential between its participants. The work utilizes strategies of social choreography developed in collaboration with dramaturge Steve Valk, who has organized a complementary discursive component that will unfold alongside the performance in adjacent spaces. Excavation Site: Martha Graham U.S.A. is co-presented by the New Museum, within the Spring 2016 R&D Season: LEGACY; Martha Graham Dance Company, as part of its 90th season; and Performance Space 122, as part of the COIL 2016 Festival. This event is generously supported by the Austrian Federal Ministry for Education, Arts and Culture and the Austrian Cultural Forum New York.
Views: 113 New Museum
Learning How to Heal Yourself with Plants: Herbalism Gallery Talk with Karen Rose
 
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Karen Rose is trained in Eastern and Western herbal medicine and is personally dedicated to empowering individuals to make informed decisions regarding their health and lives. For her public talk and in-depth workshop series at the New Museum, she will draw from over fifteen years of experience as a community, clinical, and formulary master herbalist, bringing a particular focus to how women may live inspired lives using the energies of plants. Rose created Sacred Vibes Healing and the Sacred Vibes Apothecary in 2002, a Brooklyn-based herbal apothecary. This event is organized in conjunction with “Simone Leigh: The Waiting Room.” http://www.newmuseum.org/calendar/view/736/simone-leigh-the-waiting-room-learning-how-to-heal-yourself-with-plants-gallery-talk
Views: 527 New Museum
Goshka Macuga in Conversation with Margot Norton
 
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Join us for a special conversation between artist Goshka Macuga and Margot Norton, Associate Curator at the New Museum. The pair will discuss “Goshka Macuga: Time as Fabric,” the first New York museum exhibition of work by the London-based artist, which will be presented at the New Museum. Macuga and Norton will use this presentation—which brings together a selection of the artist’s recent projects, including five of her tapestries and a theatrical environment—as an opportunity to discuss some of the persistent concerns of her work to date. Macuga’s practice typically applies in-depth historical and archival research to an interest in the evolving relationships among artists, institutions, politics, and communities. Her works investigate how art can be used to voice current concerns, rouse public debate, and inspire social change. Within her images and installations, she unearths associations between different actors (people, objects, and sites), which, in many cases, problematize the ways that different organizations engage their publics and are shaped by socioeconomic and cultural developments. Throughout her career, Macuga’s work has embraced diverse mediums including sculpture, installation, architecture, and design. The content and format of her projects are often determined by the specific institutional contexts in which her work is shown. About the Artist Goshka Macuga was born in 1967 in Warsaw, Poland, and lives and works in London. Her solo exhibitions include “To the Son of Man Who Ate the Scroll” at Fondazione Prada, Milan (2016); “Public Address: Goshka Macuga Tapestries” at Lunds konsthall, Lund, Sweden (2014); “Exhibit, A” at the Museum of Contemporary Art, Chicago (2012); “Untitled” at the Zachęta National Gallery of Art, Warsaw (2011); “It Broke from Within” at the Walker Art Center, Minneapolis, MN (2011); “The Nature of the Beast” at Whitechapel Gallery, London (2009); and “I am Become Death” at Kunsthalle Basel, Switzerland (2009). Macuga’s work was recently included in the 8th Berlin Biennial for Contemporary Art (2014); dOCUMENTA (13), Kassel, Germany, and Kabul, Afghanistan (2012); and “Fare Mondi/Making Worlds,” the 53rd Venice Biennale (2009). Macuga was nominated for the Turner Prize in 2008. http://www.newmuseum.org/calendar/view/688/goshka-macuga-in-conversation-with-margot-norton
Views: 334 New Museum
Chitra Ganesh: On Disobedience
 
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For this lecture, organized in conjunction with “Simone Leigh: The Waiting Room,” artist Chitra Ganesh will draw upon her recent visual research on the aesthetics and performative gestures of protest, exploring the notion of disobedience as it has been mobilized in political protest and social movements outside of the United States. Ganesh will share images and texts that elaborate on forms of disobedience—as harnessed most specifically in the Global South—that challenge structural power and actualize social change, drawing attention to state-sponsored violence and erasures enacted on human bodies. For over a decade, Ganesh’s drawing-based practice has probed mythological and queer narratives to develop complex visual iconographies of female subjectivity and power. Her work has been widely exhibited locally and internationally, and she is the recipient of numerous awards, including the John Simon Guggenheim Fellowship in the Creative Arts.
Views: 750 New Museum
"First Look: Hypertext Characters" presented by New Museum and Rhizome
 
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“My name is Mouchette. I live in Amsterdam. I am nearly 13 years old.” This event features presentations of three works of digital art and literature that allow users to engage and identify with on-screen characters: Mouchette.org (1996–ongoing) by Martine Neddam; The Pink of Stealth (2004) by Mendi and Keith Obadike; and PSYCHO NYMPH EXILE (2016) by Porpentine Charity Heartscape, Neotenomie, and Sloane. A panel discussion with the artists follow the presentations. The works shown during this event all make use of hypertext—text that is organized in a nonlinear manner so that it can be read in any order. This form was an important inspiration for Tim Berners-Lee’s 1989 proposal of the “WorldWideWeb,” which he described as a “HyperText Project.” Today, most online user experiences are organized around vertical scrolling processes or other sequential browsing formats, with hypertext playing a less central role. However, artists continue to find that the nonlinear structure of hypertext makes for productively fluid relationships among artists, characters, and audiences. The works presented during this event, created between the 1990s and the present, make use of such relationships to build empathy, perform identity, and model alternate social possibilities. “Hypertext Characters” is organized alongside the premiere of PSYCHO NYMPH EXILE by Porpentine Charity Heartscape, Neotenomie, and Sloane, copresented by Rhizome and the New Museum as part of First Look: New Art Online. http://www.newmuseum.org/calendar/view/658/first-look-hypertext-characters
Views: 363 New Museum
"Who Owns Digital Social Media?" presented by Rhizome
 
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Extensive new kinds of cultural archives have taken shape in recent years on social media platforms such as Facebook and Instagram. Social media facilitates the creation of cultural archives that are both diverse and participatory, and riddled with problems including censorship, data loss, and obsolescence. Today, with Rhizome’s Mellon Foundation–funded Webrecorder emerging as a new user-centered tool for archiving the dynamic web, complex and urgent questions arise about how to facilitate digital social memory: What kinds of archives are needed, and who should own them? What kinds of archives should be avoided? What privacy concerns are raised by social media archiving? To address some of these questions, this panel brings together archivists and cultural producers whose work focuses on social media as a key context for understanding and inventing ourselves as individuals and communities. Panelists include Kimberly Drew, Associate Online Community Producer, the Metropolitan Museum of Art, and founder of the Black Contemporary Art Tumblr and the V V Rare: Black Librarians and Archivists Link Share Facebook group; Dragan Espenschied, Digital Conservator, Rhizome; Nathan Jurgenson, social media theorist, editor of the New Inquiry, and researcher for Snapchat; Guadalupe Rosales, visual artist and founder of the veteranas_and_rucas Instagram account; and Øs Crunc Tesla, artist, filmmaker, musician, and inventor of the Turntablist Transcription Methodology. The panel is moderated by Michael Connor, Artistic Director, Rhizome. http://www.newmuseum.org/calendar/view/629/who-owns-digital-social-memory
Views: 316 New Museum
Anri Sala in Conversation with Massimiliano Gioni
 
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Join us for a special conversation between Anri Sala, one of the most esteemed artists of his generation, and Massimiliano Gioni, Artistic Director of the New Museum. The pair will discuss the trajectory of Sala’s art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition “Anri Sala: Answer Me,” which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum. Anri Sala was born in 1974 in Tirana, Albania, and lives and works in Berlin. He represented France at the 55th Venice Biennale (2013) and has exhibited internationally for many years, with solo shows at Haus der Kunst, Munich (2014); Centre Georges Pompidou, Paris (2012); the Serpentine Gallery, London (2011); the Contemporary Arts Center, Cincinnati (2009); the Museum of Contemporary Art, North Miami (2008); and Fondazione Nicola Trussardi, Milan (2005); among other venues. Sala has received the Vincent Award (2014), the 10th Benesse Prize (2013), the Absolut Art Award (2011), and the Young Artist Prize at the Venice Biennale (2001). He has taken part in many group exhibitions and biennials, including the 12th Havana Biennial (2015), Sharjah Biennial 11 (2013), the 9th Gwangju Biennial (2012), dOCUMENTA (13) (2012), the 29th São Paulo Biennial (2010), the 2nd Moscow Biennial of Contemporary Art (2007), and the 4th Berlin Biennial (2006).
Views: 360 New Museum
Beatriz Santiago Muñoz in Conversation with Patricia Gherovici
 
01:08:55
Join us for a conversation between artist Beatriz Santiago Muñoz and psychoanalyst Patricia Gherovici on feminist utopias, the possibility of developing new languages to describe ourselves, and psychoanalysis’s role in propelling and undermining strategies of resistance. Organized on the occasion of “Beatriz Santiago Muñoz: Song, Strategy, Sign,” the conversation will take Santiago Muñoz’s presentation at the New Museum as a jumping-off point for discussion. In “Beatriz Santiago Muñoz: Song, Strategy, Sign,” an exhibition and residency organized by the Department of Education and Public Engagement as part of its R&D Season: LEGACY, Santiago Muñoz premieres the new three-channel video That which identifies them like the eye of the Cyclops (2016). The video’s three parts are titled as a sequence: One/Song, Two/Strategy, and Three/Signs. The footage emerged from years of contact between Santiago Muñoz and a group of women, and each channel corresponds loosely to a different theme in Monique Wittig’s 1969 novel Les Guérillères, which describes a world where the patriarchy has fallen after a bloody war between the sexes. Like Les Guérillères, the video closely follows the sensorial and material worlds of the women and imagines a post-patriarchal future. Unlike the characters in Wittig’s novel, however, the women portrayed in Santiago Muñoz’s videos are real, and the story is rooted in the specific place and time that they inhabit—including Caribbean cities, bankrupted states, and coastal towns. Santiago Muñoz’s presentation at the New Museum also features a set of commissioned masks as well as the silent 16mm film Black Beach/Horse/Camp/The Dead/Forces (2016), which weaves together portraits of those living in Vieques, Puerto Rico—the site of a bombing range used by the US Navy for sixty years. Together, the film, three-channel video, and masks in “Beatriz Santiago Muñoz: Song, Strategy, Sign” serve as testaments to the individuals who forge their own terms for how to live, remember, and advance their own evolving histories. Biographies Patricia Gherovici is a psychoanalyst and analytic supervisor. She is currently Senior Member, Analyst, Supervisor, and Faculty at Apres-Coup Psychoanalytic Association New York, and Cofounder and Director of the Philadelphia Lacan Group. Her books include The Puerto Rican Syndrome (Other Press, 2003), which won the Gradiva Award and the Boyer Prize, and Please Select Your Gender: From the Invention of Hysteria to the Democratizing of Transgenderism (Routledge, 2010). Gherovici also has contributed to Lacan and Addiction: An Anthology (Karnac, 2011) and The Literary Lacan: From Literature to ‘Lituraterre’ and Beyond (Seagull Books, University of Chicago Press, 2013). She recently published a new collection with Manya Steinkoler, titled Lacan On Madness: Madness, Yes You Can’t (Routledge, 2015). Also with Steinkoler, she is currently coediting Psychoanalysis and Comedy (Cambridge University Press, forthcoming). Gherovici’s new book Psychoanalysis Needs a Sex Change: Lacanian Approaches to Sexual and Social Difference will be published by Routledge in 2016. Beatriz Santiago Muñoz was born in San Juan, Puerto Rico, where she currently lives and works. Her recent exhibitions include “Beatriz Santiago Muñoz: A Universe of Fragile Mirrors,” Pérez Art Museum Miami (2016); “Ce qui ne sert pas s’oublie (what is not used is forgotten),” CAPC musée d’art contemporain de Bordeaux, France (2015); “La Cabeza Mató a Todos,” TEOR/éTica, San José, Costa Rica (2014); “MATRULLA,” Sala de Arte Público Siqueiros, Mexico City (2014); “Under the Same Sun: Art From Latin America Today,” the Solomon R. Guggenheim Museum, New York (2014); “Post-Military Cinema,” Transmission Gallery, Glasgow International (2014); “The Black Cave,” Gasworks, London (2013); “Beatriz Santiago Muñoz / Trinh T Minh-Ha / Gregorio Rocha,” Tate Modern, London (2013); “Ensayos de Geopoética,” Mercosul Biennial VII (2011); and “Capp Street Project: Beatriz Santiago Muñoz,” CCA Wattis Institute for Contemporary Arts, San Francisco (2008). Santiago Muñoz is also a cofounder of Beta-Local, an arts organization in San Juan, Puerto Rico, and Director of Sessions, a series of intensive seminars anchored in the specific geography, emerging art practices, and sociopolitical conditions of Puerto Rico. Santiago Muñoz is a 2015 Creative Capital Visual Arts award grantee.
Views: 386 New Museum
Interview: Janet Eilber, Excavation Site: Martha Graham U.S.A.
 
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Interview with Janet Eilber, Artistic Director of Martha Graham Dance Company, conducted by New Museum R&D Season Fellow Cory Tamler. Michael Kliën, Excavation Site: Martha Graham U.S.A. Saturday, January 16 Visitation hours 3pm-7pm Tickets: http://www.newmuseum.org/calendar/view/michael-klien-em-excavation-site-martha-graham-u-s-a-em This event occurs off-site at Martha Graham Studio Theater, 55 Bethune St., Floor 11, Manhattan. Audiences are invited to explore the work for any length of time and are encouraged to move freely between spaces. In this one-time-only dance event, a multigenerational group of performers from the Martha Graham Dance Company’s past, present, and future will excavate their relationships to Graham and the underlying “movement forces” that bind them to one another, to Graham, and to the Company. Organized by Austrian choreographer and artist Michael Kliën, Excavation Site: Martha Graham U.S.A. bypasses the institutionalized social structures of the Company to uncover new paths of organization and potential between its participants. The work utilizes strategies of social choreography developed in collaboration with dramaturge Steve Valk, who has organized a complementary discursive component that will unfold alongside the performance in adjacent spaces. Excavation Site: Martha Graham U.S.A. is co-presented by the New Museum, within the Spring 2016 R&D Season: LEGACY; Martha Graham Dance Company, as part of its 90th season; and Performance Space 122, as part of the COIL 2016 Festival. This event is generously supported by the Austrian Federal Ministry for Education, Arts and Culture and the Austrian Cultural Forum New York.
Views: 495 New Museum
Cheryl Donegan: Refashioning the Readymade
 
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When Jasper Johns said, “Take something. Do something to it. Do something else to it,” he might not have meant “Cut jeans into shorts.” Art and fashion, however, have long crossed paths, and their intersections continue to draw out the art world’s uneasy relationship to market culture and to the market’s overt commodification of art objects. Exploring recent collaborations and collisions between art and fashion, this panel of artists, designers, and writers will consider how online shopping, social media, performance, and legacies of craft have allowed them to push such boundaries, playing openly between the poles of outlandish luxury and debased realism. Panelists include Antonio Blair, Cofounder of House of Ladosha; Eric Mack, artist; Mary Ping, fashion designer and Founder of the conceptual clothing and accessory label Slow and Steady Wins the Race; and Emily Spivack, author of Worn Stories (Princeton Architectural Press, 2014). This event was organized on the occasion of “Cheryl Donegan: Scenes + Commercials,” an exhibition and a residency organized by the Department of Education and Public Engagement as part of its R&D Season: LEGACY, in which Donegan continues her exploration of the production and consumption of images in mass culture, middlebrow design, and art history. The exhibition presents works that span Donegan’s career, from the early ’90s to the present, tracing conceptual threads that run across her practice, including her interest in the mediated image, compressed space, and the mark’s indexical relation to the body. Throughout the run of the exhibition, the Resource Center featured a major new installation by Donegan, titled “Concept Store,” that displays garments, drawings, prints, and textiles she has produced alongside items she has sourced from websites such as eBay. In this installation and the other works in “Scenes + Commercials,” the artist engages in a process of “refashioning the readymade” by alluding to longer histories of repurposing in both art and culture. http://www.newmuseum.org/calendar/view/603/refashioning-the-readymade
Views: 102 New Museum

Pubg Forums Xbox Can Be Fun for Everyone

Pubg Forums Xbox - Dead or Alive?

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Pubg Forums Xbox Can Be Fun for Everyone

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The Death of Pubg Forums Xbox

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