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Making Green: Tempera versus Oil | National Gallery, London
 
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Watch a painting demonstration to learn about the different properties of green pigments bound in egg tempera and those mixed with oil, and see how these were used to achieve very different effects in masterpieces from the National Gallery's collection. This film accompanies the National Gallery exhibition 'Making Colour' (18 June - 7 September 2014). More about the exhibition: http://www.nationalgallery.org.uk/making-colour Watch more on our Channel: http://www.nationalgallery.org.uk/channel
Views: 41739 The National Gallery
Peter Zumthor | 'Real and Imagined Buildings' | Building the Picture
 
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Peter Zumthor, internationally acclaimed Swiss architect, gives a rare interview in which he reveals his thoughts on imagined buildings, dreams and architectural time. Including footage of his Thermal Baths, Vals and Saint Benedict's Chapel, Sumtvitg, Zumthor responds to the depiction of the stable in Ercole de' Roberti's 'Nativity', about 1490, by declaring "a good building should have a soul." This film is one of five giving contemporary perspectives on the National Gallery exhibition 'Building the Picture: Architecture in Italian Renaissance Painting' (30 April - 21 September 2014). More about the exhibition: http://www.nationalgallery.org.uk/building-the-picture Watch more on our Channel: http://www.nationalgallery.org.uk/channel
Views: 36540 The National Gallery
Metamorphosis: Titian 2012 | The National Gallery, London
 
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Celebrate 'Metamorphosis: Titian 2012', a unique collaboration with The Royal Ballet, with this re-imagining of the Diana myth. Produced by Credit Suisse, Sponsor of 'Metamorphosis: Titian 2012', featuring Ed Speelers and Anna Friel. A multi-faceted experience celebrating British creativity across the arts, 'Metamorphosis: Titian 2012' brings together a group of specially commissioned works responding to three of Titian's paintings -- 'Diana and Actaeon', 'The Death of Actaeon' and the recently acquired 'Diana and Callisto' -- which depict stories from Ovid's epic poem 'Metamorphoses'. Featuring new work by contemporary artists Chris Ofili, Conrad Shawcross and Mark Wallinger, including sets and costumes for three new ballets at the Royal Opera House. Leading poets including Seamus Heaney, Wendy Cope, and Patience Agbabi have also responded to Ovid's text and Titian's paintings. Watch this film and more on our Channel: http://www.nationalgallery.org.uk/channel/ Find out more about the exhibition 'Metamorphosis: Titian 2012' on the National Gallery website: http://www.nationalgallery.org.uk/metamorphosis Explore the life and work of Titian, including a special Titian playlist: http://www.nationalgallery.org.uk/paintings/learn-about-art/artists/titian/ Follow us on Twitter @nationalgallery and use #Titian2012 in your tweets
Views: 47051 The National Gallery
Van Eyck's Arnolfini Portrait | Reflections: Van Eyck and the Pre-Raphaelites | National Gallery
 
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This close look at van Eyck’s jewel-like masterpiece of 1434 considers the intrigue and wonder it sparked when it first went on show at the National Gallery in 1843. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 21630 The National Gallery
Caravaggio’s First Public Commission | Beyond Caravaggio | National Gallery
 
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Filmed in the magnificent Contarelli Chapel in the church of San Luigi dei Francesi in Rome, Rector François Bousquet and other experts explain why the paintings that hang here were so significant in Caravaggio’s career. Book for 'Beyond Caravaggio': http://bit.ly/2dDp6BL Subscribe for more videos: http://bit.ly/1HrNTFd Beyond Caravaggio 12 October 2016 – 15 January 2017 (Members' preview day on 10 October) Explore the influence of one of art’s most infamous and revolutionary figures at our autumn exhibition. ‘Beyond Caravaggio’ is the first major exhibition in the UK to explore the influence of Caravaggio on the art of his contemporaries and followers. Bringing together exceptional works by Caravaggio and the Italian, French, Flemish, Dutch, and Spanish artists he inspired, ‘Beyond Caravaggio’ examines the international artistic phenomenon known as Caravaggism. This exhibition is a collaboration between the National Gallery, London, the National Gallery of Ireland, and the National Galleries of Scotland. Sponsored by Credit Suisse. Book tickets: http://bit.ly/2dDp6BL #BeyondCaravaggio Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 15033 The National Gallery
Who was Ovid? | Metamorphosis: Titian 2012 | The National Gallery, London
 
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Join historian Bernadine Corrigan as she delves into the life of Roman poet Ovid, the inspiration for Titian's 'poesie' paintings. Discover how Ovid became a poet and uncover the scandal that banned his books and banished him from Rome. Ovid's 'Metamorphoses' are central to the spectacular multi-arts project at the National Gallery, London. Find out more about the exhibition Metamorphosis: Titian 2012: http://www.nationalgallery.org.uk/metamorphosis Watch more on our Channel: http://www.nationalgallery.org.uk/channel/ Explore the life and work of Titian, including a special Titian playlist: http://www.nationalgallery.org.uk/titian Follow us on Twitter @nationalgallery and use #Titian2012 in your tweets
Views: 12549 The National Gallery
Titian and technique | Paintings | The National Gallery, London
 
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Find out about Titian's techniques, his careful planning, and his alterations and deliberations. National Gallery restorer Jill Dunkerton explains how X-rays can reveal the artist's working practice. Featuring Titian's painting 'The Tribute Money'. Read about Titian and view all of his works at the National Gallery, London: http://www.nationalgallery.org.uk/artists/titian
Views: 28806 The National Gallery
Introducing the Angel Trail | National Gallery
 
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What are Angels? Celebrate the festive season by taking a closer look at angels throughout art history, as our Director Dr Gabriele Finaldi, and more National Gallery experts, introduce you to the Angel Trail. Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 17630 The National Gallery
Rembrandt: The Late Works | The National Gallery, London
 
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Curator Betsy Wieseman previews our autumn exhibition, 'Rembrandt: The Late Works' (15 October 2014 – 18 January 2015) Rembrandt’s later years were turbulent and marked with controversy, but they also produced some of his most soulful, deeply moving and strikingly modern works. The exhibition, organised in collaboration with Amsterdam’s Rijksmuseum, offers you an opportunity to experience the passion, emotion and innovation of the great master. To find out more visit, http://www.nationalgallery.org.uk/rembrandt To book tickets, visit: http://www.nationalgallery.co.uk/products/tickets/rembrandt_the_late_works/p_rembrandt_ticket
Views: 19577 The National Gallery
Caravaggio: His life and style in three paintings | National Gallery
 
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Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his innovative style developed from a focus on nature and expression in his early works to the sophistication of his mature works. Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 129828 The National Gallery
Symbolism in Holbein's 'Ambassadors' | Paintings | The National Gallery, London
 
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Decode Holbein's symbols, and see the painting in the context of the religious tensions of the 1530s. Read about the painting, learn the key facts and zoom in to discover more on the National Gallery website: http://www.nationalgallery.org.uk/paintings/hans-holbein-the-younger-the-ambassadors
Views: 78763 The National Gallery
Introduction | Veronese: Magnificence in Renaissance Venice | National Gallery, London
 
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Be the first to see the trailer for the National Gallery's new exhibition, 'Veronese: Magnificence in Renaissance Venice'. Curator Xavier Salomon introduces us to some of the spectacular paintings, depicting the splendours and colours of Venice in the Renaissance. Paolo Veronese was one of the most renowned and sought-after artists working in Venice in the 16th century. A virtuoso and a craftsman, Veronese created works ranging from complex frescoes to altarpieces, devotional paintings, mythological, allegorical and historical pictures, and portraits. To learn more about the exhibition, see http://www.nationalgallery.org.uk/whats-on/exhibitions/veronese Follow us on Twitter @nationalgallery and use #Veronese in your tweets
Views: 19611 The National Gallery
Making Purple: The Science of Art | National Gallery, London
 
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Visit the National Gallery's Scientific Department to see how the blue and red pigments traditionally mixed to make purple paint are analysed and identified. The methods used range from state-of-the-art electron microscopy to recreating historic methods for obtaining pigments. This film accompanies the National Gallery exhibition 'Making Colour' (18 June - 7 September 2014). More about the exhibition: http://www.nationalgallery.org.uk/making-colour Watch more on our Channel: http://www.nationalgallery.org.uk/channel
Views: 28146 The National Gallery
Mirrors in Pre-Raphaelite paintings | Reflections: Van Eyck and the Pre-Raphaelites
 
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The convex mirror at the heart of van Eyck’s ‘Arnolfini Portrait’ intrigued the Pre-Raphaelites; this film explores its link with the recent invention of daguerreotypes, and Victorian trends in interior design. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 7708 The National Gallery
The Lady of Shalott | Reflections: Van Eyck and the Pre-Raphaelites | National Gallery
 
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What attracted the Pre-Raphaelites to Alfred Tennyson’s poem ‘The Lady of Shalott’? And how did the convex mirror from van Eyck’s ‘Arnolfini Portrait’ come to play an essential role in their depictions of the mysterious weaver and her deadly curse? Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4160 The National Gallery
Under van Eyck's Arnolfini Portrait | Reflections: Van Eyck and the Pre-Raphaelites
 
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Discover the astounding masterpiece hidden beneath van Eyck’s famous ‘Arnolfini Portrait’. Using infrared reflectography, Rachel Billinge explains aspects of the artist’s meticulous underdrawing for the work and some of the fascinating secrets it reveals. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6059 The National Gallery
Curator's Introduction | Goya: The Portraits | The National Gallery, London
 
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The story of Goya as portrait painter, told for the first time. Curator Xavier Bray, on location in Madrid, introduces us to this little-known aspect of Goya’s career and reveals some of the many highlights in this major National Gallery exhibition. To find out more, visit: http://www.nationalgallery.org.uk/goya-portraits
Views: 13382 The National Gallery
Ben Johnson: Modern Perspectives | Exhibitions | The National Gallery, London
 
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Ben Johnson talks about his latest work, a view of Trafalgar Square from the roof of the National Gallery. Ben Johnson will be completing the painting live in Room 1 at the National Gallery during the course of his Modern Perspectives exhibition. Find out more about the artist and his working techniques, and discover the connections between this painting and a work by Canaletto, on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/ben-johnson-modern-perspectives
Views: 10278 The National Gallery
Holbein's skull - Part two| Paintings | The National Gallery, London
 
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Now you see it, now you don't. How did Holbein create the distorted anarmorphic skull in his painting 'The Ambassadors'? Read about the painting, learn the key facts and zoom in to discover more on the National Gallery website: http://www.nationalgallery.org.uk/paintings/hans-holbein-the-younger-the-ambassadors
Views: 20666 The National Gallery
Christ is not like a snail: Signs and symbols | The audacity of Christian art | National Gallery
 
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This episode looks at the visual language of signs and symbols known as iconography. Chloë Reddaway considers the surprising appearance of a snail in Crivelli’s ‘The Virgin and Child with Saints Francis and Sebastian’ (1491) and asks how it might help in the seemingly impossible task of painting Christ. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 5304 The National Gallery
Vincent van Gogh: The colour and vitality of his works | National Gallery
 
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Special Projects curator Colin Wiggins walks you through the life and work of Vincent van Gogh, from the bright colours of 'Sunflowers' to his battles with depression. Discover Van Gogh's changing style and the influence of the Post-Impressionist artists in Paris. Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 123371 The National Gallery
Delacroix's Colour | Delacroix and the Rise of Modern Art | The National Gallery, London
 
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Why did Paul Cézanne describe Delacroix’s palette as ‘the most beautiful in France’? Professor Paul Smith explores Delacroix’s theories on colour and how his approach had a profound influence on the artists associated with the rise of modern art. Book tickets to see 'Delacroix and the Rise of Modern Art': http://bit.ly/21682G2 Subscribe for more videos: http://bit.ly/1HrNTFd Delacroix and the Rise of Modern Art. 17 February – 22 May 2016. Find out more: http://bit.ly/21682G2 Book tickets: http://bit.ly/1olYjh7 Members go free: http://bit.ly/21687JU Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd
Views: 9441 The National Gallery
Titian: 'Diana and Actaeon' | Carol Plazzotta - Curator | The National Gallery, London
 
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Learn more about this painting with National Gallery curator, Carol Plazzotta. Read about the painting, learn the key facts and zoom in to discover more on the National Gallery website: http://www.nationalgallery.org.uk/paintings/titian-diana-and-actaeon
Views: 10345 The National Gallery
Reconstructing the destroyed church of San Pier Maggiore, Florence | The National Gallery, London
 
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A short documentary to accompany the exhibition ‘Visions of Paradise: Botticini's Palmieri Altarpiece’ (4 November 2015 – 28 March 2016): http://www.nationalgallery.org.uk/visions-of-paradise Made in collaboration with the University of Cambridge.
Views: 18106 The National Gallery
Trailer | Reflections: Van Eyck and The Pre-Raphaelites | National Gallery
 
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Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 44534 The National Gallery
Corot to Monet | Exhibitions | The National Gallery, London
 
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A fresh look at landscape from the collection. Drawing on the National Gallery's rich collection of 19th-century French landscapes, Corot to Monet (8 July - 20 September 2009) charts the development of open-air landscape painting up to the first Impressionist exhibition in 1874. Discover more on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/corot-to-monet
Views: 15930 The National Gallery
Restoring a panel painting | The National Gallery, London
 
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See a restoration in action. Wolf Huber's 'Christ taking leave of his Mother', a 16th-century painting, had been badly damaged. Watch the panels get joined carefully back together and the final retouching of losses of paint - with James Heard, National Gallery Education.
Views: 8642 The National Gallery
Behind the scenes at the Framing Department | The National Gallery, London
 
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Most visitors to the National Gallery come to look at the paintings. But in this behind-the-scenes look at the work of the Gallery’s Framing Department, the richness and importance of the collection’s frames is revealed. A fascinating insight into recent conservation work and historic frame purchases with the National Gallery’s Head of Framing, Peter Schade, and Vivmar Curatorial Assistant, Harriet O’Neill.
Views: 8593 The National Gallery
Freud’s Paintings | Painters' Paintings: From Freud to Van Dyck | The National Gallery, London
 
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Lucian Freud’s former assistant, David Dawson, remembers the arrival of two pictures into Freud’s personal collection of art; Cézanne’s ‘Afternoon in Naples’ and Corot’s ‘Italian Woman’ – both of which feature in the National Gallery exhibition, ‘Painters’ Paintings: From Freud to Van Dyck’. Book now: http://bit.ly/1XauCht Painters' Paintings: From Freud to Van Dyck 23 June – 4 September 2016 Book now: http://bit.ly/1XauCht Explore the connections between painters and the paintings they possessed in an exhibition spanning over five hundred years of art history. Discover the private acquisitions of Freud, Matisse, Degas, Leighton, Watts, Lawrence, Reynolds, and Van Dyck. Find out more: http://bit.ly/1XauCht Members go free: http://bit.ly/1UoDjP7
Views: 3936 The National Gallery
The audacity of Christian art: the problem with Christ | National Gallery
 
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How do you paint a figure who is fully human and fully divine? This episode sets the scene for exploring the problem and considers the inherent audacity of what Christian art attempts to do. Beginning with Cima da Conegliano’s ‘The Incredulity of Saint Thomas’ (about 1502–4), Chloë Reddaway suggests thatsome artists invite viewers to ponder the mystery of the Incarnation by creating and playing with strange and paradoxical elements in their paintings. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalg... Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6365 The National Gallery
Episode 1  |  Introduction  |  Saint John the Baptist: From Birth to Beheading
 
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Who was John the Baptist and why has he been so important to artists and patrons over the centuries? In this first of 10 films, art historian Jennifer Sliwka and theologian Ben Quash introduce us to this pivotal figure in the Biblical story, and reveal the ways he can immediately be recognised in works of art. This episode takes a close look at two National Gallery masterpieces, Carlo Crivelli's 'The Demidoff Altarpiece' 1476 and Piero della Francesca's 'The Baptism of Christ', 1450s. 'John the Baptist: From Birth to Beheading' is a series of 10 films sharing the highlights of the collaborative MA course taught by Dr Jennifer Sliwka, Howard and Roberta Ahmanson Fellow in Art and Religion at the National Gallery and Professor Ben Quash, Director of the Centre for Arts and the Sacred, King's College London. Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 45631 The National Gallery
R. B. Kitaj on Paul Cézanne's 'Bathers' | Artists | The National Gallery, London
 
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Artist R. B. Kitaj (1932-2007) talks about the profound influence of Cézanne on his work. Includes an insight into the artist's studio. Read about the paintings of Cezanne, learn the key facts and zoom in to discover more at the National Gallery website. http://www.nationalgallery.org.uk/artists/paul-cezanne
Views: 17550 The National Gallery
Exhibition Insight | Vermeer: Painter of Music | The National Gallery, London
 
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What can we learn from the depictions of music in Vermeer's paintings? Watch 'Vermeer and Music: the Art of Love and Leisure curator Betsy Wieseman and members of the Academy of Ancient Music discuss the symbolism present in some of Vermeer's best-known works, with musical accompaniment from members of the Academy. Vermeer was not a prolific artist with only 36 paintings agreed to have been produced during his lifetime. Although it is unknown whether Vermeer himself was a musician in any way, three of his paintings in particular; 'Woman Standing at a Virginal', 'Woman Seated at a Virginal' and 'The Guitar Player', see him consciously addressing variations around the same theme; in the same way that a musician might. Join Betsy Wieseman as she examines the relationship between Vermeer's paintings of women with musical instruments from 1670 -- 1672 and the music of the period in this film produced to accompany the exhibition at the National Gallery which runs from 26 June -- 8 September 2013. Learn more about the exhibition 'Vermeer and Music: The Art of Love and Leisure on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/vermeer-and-music Watch this film and more on our channel: http://www.nationalgallery.org.uk/channel/
Views: 7680 The National Gallery
Early Titian and Landscapes | Titian's First Masterpiece: The Flight into Egypt | National Gallery
 
02:35
Join curator Antonio Mazzotta as he introduces Titian's influential early-career painting 'Noli me Tangere', about 1514. Experience why viewers over the centuries have been enthralled by the reality of Titian's landscapes, and see how the ambitious young painter broke the mould by fusing them with human figures. 'Noli me Tangere' is one of the earliest of Titian's paintings in the National Gallery collection. It is on display as part of 'Titian's First Masterpiece: The Flight into Egypt': http://www.nationalgallery.org.uk/whats-on/exhibitions/titians-first-masterpiece-the-flight-into-egypt Watch more on our Channel: http://www.nationalgallery.org.uk/channel/ Explore the life and work of Titian, including a special Titian playlist: http://www.nationalgallery.org.uk/paintings/learn-about-art/artists/titian/ Follow us on Twitter @nationalgallery and use #Titian2012 in your tweets
Views: 5491 The National Gallery
Gold in Paintings | Gold | National Gallery
 
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Journey through the Gallery's collection to learn how artists such as Andrea Mantegna and Duccio applied gold to their paintings and explore the different gilding techniques used in works such as 'The Wilton Diptych' and 'The San Pier Maggiore Altarpiece', with our Curatorial, Scientific and Conservation departments. Gold shines bright throughout the National Gallery's collection, being used to depict glittering jewellery, extravagant fabrics and golden gifts with gold leaf featuring in both the paintings and the frames themselves. This festive season, go behind the scenes at the Gallery to explore how and why artists have used gold throughout the collection with our Gold film series. New episodes will be released weekly. #ArtGold Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 7834 The National Gallery
Membership. Be part of the story | The National Gallery, London
 
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Celebrating the launch of National Gallery Membership Find out more at http://www.nationalgallery.org.uk/join-today
Views: 19857 The National Gallery
Messenger angels | Angel Trail | National Gallery
 
02:59
At the heart of our understanding of angels lies the idea of the messenger, and the role of angels as mediators between the human and the divine. Watch National Gallery experts discuss angelic messengers in paintings by Fra Angelico, Geertgen tot Sint Jans, Anthony Van Dyck and more as we continue the Angel Trail. Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6259 The National Gallery
Mat Collishaw on Caravaggio | Beyond Caravaggio | National Gallery
 
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Celebrated artist Mat Collishaw - a key figure in the important generation of British artists who emerged from Goldsmiths, University of London in the late 1980s - reveals the influence of Caravaggio on his work. Join Mat Collishaw to reflect on Caravaggio's legacy at this evening talk: http://bit.ly/2fdjBdU Book for 'Beyond Caravaggio': http://bit.ly/2dDp6BL Subscribe for more videos: http://bit.ly/1HrNTFd Beyond Caravaggio 12 October 2016 – 15 January 2017 (Members' preview day on 10 October) Explore the influence of one of art’s most infamous and revolutionary figures at our autumn exhibition. ‘Beyond Caravaggio’ is the first major exhibition in the UK to explore the influence of Caravaggio on the art of his contemporaries and followers. Bringing together exceptional works by Caravaggio and the Italian, French, Flemish, Dutch, and Spanish artists he inspired, ‘Beyond Caravaggio’ examines the international artistic phenomenon known as Caravaggism. This exhibition is a collaboration between the National Gallery, London, the National Gallery of Ireland, and the National Galleries of Scotland. Sponsored by Credit Suisse. Book tickets: http://bit.ly/2dDp6BL #BeyondCaravaggio Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 4712 The National Gallery
T J Clark | Strange Space | Building the Picture
 
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Renowned art historian T J Clark explores the strange space created within Lorenzo Costa and Gianfrancesco Maineri's 'The Virgin and Child with Saints', about 1498-1500. Taking one of the great altarpieces in the National Gallery as his example, T J Clark reveals how the highly illusionistic architectural spaces Italian Renaissance painters create are far from what they seem. This film is one of five giving contemporary perspectives on the National Gallery exhibition 'Building the Picture: Architecture in Italian Renaissance Painting' (30 April - 21 September 2014). More about the exhibition: http://www.nationalgallery.org.uk/building-the-picture Watch more on our Channel: http://www.nationalgallery.org.uk/channel
Views: 5819 The National Gallery
Inventing Impressionism | The National Gallery, London
 
03:45
This film previews our spring 2015 exhibition 'Inventing Impressionism' (4 March – 31 May 2015). ‘Inventing Impressionism’ looks at the history of Impressionism in an entirely new way: through the eyes of the Parisian art dealer, Paul Durand-Ruel. Exhibition co-curator, Christopher Riopelle introduces us to this little-known figure and reveals some of the show’s many highlights. To find out more, visit: http://www.nationalgallery.org.uk/inventing-impressionism
Views: 10497 The National Gallery
George Shaw: Humbrol enamel paints | The National Gallery, London
 
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The National Gallery's Rootstein Hopkins Associate Artist, George Shaw discusses his idiosyncratic use of Humbrol enamel paint, typically used to colour model trains and aeroplanes. Watch more George Shaw videos: http://bit.ly/2asNV2t Find out more about the exhibition 'George Shaw: My Back to Nature': http://bit.ly/1Nt6N1m Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 3803 The National Gallery
Curator's Introduction | Delacroix and the Rise of Modern Art | The National Gallery, London
 
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The little-known story of Eugène Delacroix’s impact on the development of modern painting is told in our exhibition ‘Delacroix and the Rise of Modern Art’. Co-curator Christopher Riopelle introduces the show. Find out more: http://bit.ly/1OAdx85 Book tickets: http://bit.ly/1n1i9gU Members go free: http://bit.ly/1OsshWC Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd
Views: 10502 The National Gallery
Monet’s Poplars | The National Gallery, London
 
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In 1892 Monet’s ‘Poplars’ series went on show at the Paris gallery of his dealer, Paul Durand-Ruel. It was a moment that changed the course of modern art. A rare gathering of Monet’s ‘Poplars’ are on show at the National Gallery’s ‘Inventing Impressionism’ exhibition (4 March – 31 May 2015). To find out more, visit: http://www.nationalgallery.org.uk/inventing-impressionism
Views: 3985 The National Gallery
This world and the next: Christ on earth; Christ in heaven | The audacity of Christian art
 
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This episode explores three popular picture types which have no gospel basis but which use temporal and spatial ambiguity to reflect on the mystery of Christ having a temporal life on earth, and also being part of the eternal Trinity. The principal paintings discussed in this episode are ‘The Virgin and Child in a Landscape’ by Jan Provoost (early 16th century), ‘The Virgin and Child Enthroned by Cosimo Tura’ (mid-1470s), and ‘Christ Crowned with Thorns’ by Dirk Bouts (about 1470). ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3275 The National Gallery
The Followers of Caravaggio | Beyond Caravaggio | National Gallery
 
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'Beyond Caravaggio' exhibition curator Letizia Treves and art historian Helen Langdon give an overview of the extent of Caravaggio’s influence on artists in the first half of the 17th century. Book for 'Beyond Caravaggio': http://bit.ly/2dDp6BL Subscribe for more videos: http://bit.ly/1HrNTFd Beyond Caravaggio 12 October 2016 – 15 January 2017 (Members' preview day on 10 October) Explore the influence of one of art’s most infamous and revolutionary figures at our autumn exhibition. ‘Beyond Caravaggio’ is the first major exhibition in the UK to explore the influence of Caravaggio on the art of his contemporaries and followers. Bringing together exceptional works by Caravaggio and the Italian, French, Flemish, Dutch, and Spanish artists he inspired, ‘Beyond Caravaggio’ examines the international artistic phenomenon known as Caravaggism. This exhibition is a collaboration between the National Gallery, London, the National Gallery of Ireland, and the National Galleries of Scotland. Sponsored by Credit Suisse. Book tickets: http://bit.ly/2dDp6BL #BeyondCaravaggio Subscribe and be the first to know about new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 3055 The National Gallery
John Constable: The radical landscape of The Hay Wain | National Gallery
 
31:02
Watch Colin Wiggins give an in-depth talk on John Constable's 'The Hay Wain', one of the best known paintings in the history of British art. Find out how radical Constable's approach was at the time of creating this extraordinary work, and how he would go on to influence the course of modern art, from Delacroix's painting technique, to the landscapes of the Impressionists, like Claude Monet and Camille Pissarro. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 31299 The National Gallery
Rembrandt: The power of his self portraits | National Gallery
 
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Freelance lecturer James Heard talks you through Rembrandt's illustrious and prolific career, from the successes of his early years in Amsterdam, to his later bankruptcy and the power of his self-portraits. Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 61882 The National Gallery
So near and yet so far: Visions and thresholds | The Audacity of Christian Art | National Gallery
 
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Part of the challenge of depicting Christ lies in showing his ‘visibility’ as a man who lived on earth, while also indicating the ‘invisibility’ of God eternal. This episode looks at ‘The Virgin and Child with Two Angels’ by Andrea del Verrocchio and Lorenzo di Credi (around 1476–8) and ‘The Vision of the Blessed Gabrielle’ by Carlo Crivelli (probably about 1489), and considers the pictorial device of the ‘threshold’ as a visual response to the simultaneous proximity of divine presence and the utter transcendence of God. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenation... Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 2530 The National Gallery
Unspeakable images: When words fail | The audacity of Christian art | National Gallery
 
07:40
No single painting of Christ in the canon of Christian art can adequately express what Christians believe about him, but this final episode considers how a painting can point beyond itself, encouraging the viewer not to take the image at face value but to engage with the mystery it presents. Chloë Reddaway explores the use of blank spaces as a radical way of indicating divine activity and looks at the value of unfinished works in stimulating the viewer’s imagination with a close look at Michelangelo’s unfinished masterpiece, ‘The Entombment’ (around 1500–1). ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new films: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4174 The National Gallery
Learning at the Gallery | The National Gallery, London
 
02:23
Workshops, lectures, courses. and more ... there's something for everyone at the National Gallery. Learn more and find out what's on at http://www.nationalgallery.org.uk/learning/
Views: 12193 The National Gallery

Pubg Forums Xbox Can Be Fun for Everyone

Pubg Forums Xbox - Dead or Alive?

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Pubg Forums Xbox Can Be Fun for Everyone

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The Death of Pubg Forums Xbox

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