Home
Videos uploaded by user “The National Gallery” for the 2017
Van Eyck's Arnolfini Portrait | Reflections: Van Eyck and the Pre-Raphaelites | National Gallery
 
04:00
This close look at van Eyck’s jewel-like masterpiece of 1434 considers the intrigue and wonder it sparked when it first went on show at the National Gallery in 1843. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 21867 The National Gallery
Mirrors in Pre-Raphaelite paintings | Reflections: Van Eyck and the Pre-Raphaelites
 
03:52
The convex mirror at the heart of van Eyck’s ‘Arnolfini Portrait’ intrigued the Pre-Raphaelites; this film explores its link with the recent invention of daguerreotypes, and Victorian trends in interior design. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 7772 The National Gallery
The Lady of Shalott | Reflections: Van Eyck and the Pre-Raphaelites | National Gallery
 
04:21
What attracted the Pre-Raphaelites to Alfred Tennyson’s poem ‘The Lady of Shalott’? And how did the convex mirror from van Eyck’s ‘Arnolfini Portrait’ come to play an essential role in their depictions of the mysterious weaver and her deadly curse? Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4185 The National Gallery
Christ is not like a snail: Signs and symbols | The audacity of Christian art | National Gallery
 
06:15
This episode looks at the visual language of signs and symbols known as iconography. Chloë Reddaway considers the surprising appearance of a snail in Crivelli’s ‘The Virgin and Child with Saints Francis and Sebastian’ (1491) and asks how it might help in the seemingly impossible task of painting Christ. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 5339 The National Gallery
Under van Eyck's Arnolfini Portrait | Reflections: Van Eyck and the Pre-Raphaelites
 
03:22
Discover the astounding masterpiece hidden beneath van Eyck’s famous ‘Arnolfini Portrait’. Using infrared reflectography, Rachel Billinge explains aspects of the artist’s meticulous underdrawing for the work and some of the fascinating secrets it reveals. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6107 The National Gallery
The audacity of Christian art: the problem with Christ | National Gallery
 
06:21
How do you paint a figure who is fully human and fully divine? This episode sets the scene for exploring the problem and considers the inherent audacity of what Christian art attempts to do. Beginning with Cima da Conegliano’s ‘The Incredulity of Saint Thomas’ (about 1502–4), Chloë Reddaway suggests thatsome artists invite viewers to ponder the mystery of the Incarnation by creating and playing with strange and paradoxical elements in their paintings. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalg... Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6413 The National Gallery
Trailer | Reflections: Van Eyck and The Pre-Raphaelites | National Gallery
 
01:09
Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting. Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 44566 The National Gallery
Gold in Paintings | Gold | National Gallery
 
09:25
Journey through the Gallery's collection to learn how artists such as Andrea Mantegna and Duccio applied gold to their paintings and explore the different gilding techniques used in works such as 'The Wilton Diptych' and 'The San Pier Maggiore Altarpiece', with our Curatorial, Scientific and Conservation departments. Gold shines bright throughout the National Gallery's collection, being used to depict glittering jewellery, extravagant fabrics and golden gifts with gold leaf featuring in both the paintings and the frames themselves. This festive season, go behind the scenes at the Gallery to explore how and why artists have used gold throughout the collection with our Gold film series. New episodes will be released weekly. #ArtGold Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 7883 The National Gallery
John Constable: The radical landscape of The Hay Wain | National Gallery
 
31:02
Watch Colin Wiggins give an in-depth talk on John Constable's 'The Hay Wain', one of the best known paintings in the history of British art. Find out how radical Constable's approach was at the time of creating this extraordinary work, and how he would go on to influence the course of modern art, from Delacroix's painting technique, to the landscapes of the Impressionists, like Claude Monet and Camille Pissarro. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 31608 The National Gallery
So near and yet so far: Visions and thresholds | The Audacity of Christian Art | National Gallery
 
07:40
Part of the challenge of depicting Christ lies in showing his ‘visibility’ as a man who lived on earth, while also indicating the ‘invisibility’ of God eternal. This episode looks at ‘The Virgin and Child with Two Angels’ by Andrea del Verrocchio and Lorenzo di Credi (around 1476–8) and ‘The Vision of the Blessed Gabrielle’ by Carlo Crivelli (probably about 1489), and considers the pictorial device of the ‘threshold’ as a visual response to the simultaneous proximity of divine presence and the utter transcendence of God. ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenation... Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 2550 The National Gallery
Unspeakable images: When words fail | The audacity of Christian art | National Gallery
 
07:40
No single painting of Christ in the canon of Christian art can adequately express what Christians believe about him, but this final episode considers how a painting can point beyond itself, encouraging the viewer not to take the image at face value but to engage with the mystery it presents. Chloë Reddaway explores the use of blank spaces as a radical way of indicating divine activity and looks at the value of unfinished works in stimulating the viewer’s imagination with a close look at Michelangelo’s unfinished masterpiece, ‘The Entombment’ (around 1500–1). ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new films: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4204 The National Gallery
Another side of Impressionism: Arthur Streeton | Australia's Impressionists | National Gallery
 
01:35
What did Australian artist Arthur Streeton learn from Claude Monet? In the second episode of Another side of Impressionism, 'Australia's Impressionists' co-curator, Christopher Riopelle, tells us how Streeton was inspired to paint outdoors, in nature, by the French Impressionist artists, and how he adapted this idea for the Australian landscape. Watch more episodes here: http://bit.ly/2k8qqkE Australia's Impressionists 7 December 2016 – 26 March 2017 Book tickets: http://bit.ly/2ks9mr5 Showcasing four innovative Australian Impressionist artists, Tom Roberts, Arthur Streeton, Charles Conder, and John Russell, this exhibition explores Impressionism in an Australian context – closely related to yet entirely distinct from its European counterparts. Follow the National Gallery on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3312 The National Gallery
This world and the next: Christ on earth; Christ in heaven | The audacity of Christian art
 
07:22
This episode explores three popular picture types which have no gospel basis but which use temporal and spatial ambiguity to reflect on the mystery of Christ having a temporal life on earth, and also being part of the eternal Trinity. The principal paintings discussed in this episode are ‘The Virgin and Child in a Landscape’ by Jan Provoost (early 16th century), ‘The Virgin and Child Enthroned by Cosimo Tura’ (mid-1470s), and ‘Christ Crowned with Thorns’ by Dirk Bouts (about 1470). ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3298 The National Gallery
History of Taste: George Bellows and our first American painting | National Gallery
 
02:20
Senior Research Curator Susanna Avery-Quash explores the history of taste in the National Gallery's collection. George Bellows's 'Men of the Docks' was the first American painting to enter the Gallery's collection. Explore the parallels between Bellows and the French Impressionists, and the Gallery's continuing programme of American exhibitions. Subscribe for more videos: http://bit.ly/1HrNTFd Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 3208 The National Gallery
Rome and Rivalry | The Credit Suisse Exhibition: Michelangelo & Sebastiano | National Gallery
 
03:31
After meeting in 1511 in Rome – a city plagued by poverty and crime yet also the wealthy and powerful centre of the Catholic Church – Michelangelo and Sebastiano del Piombo join forces in a bid to marginalise their artistic rival Raphael from lucrative commissions. Book for 'The Credit Suisse Exhibition: Michelangelo & Sebastiano': http://bit.ly/2m9G8KU Subscribe for more videos: http://bit.ly/1HrNTFd The Credit Suisse Exhibition: Michelangelo & Sebastiano 15 March - 25 June 2017 #MichelangeloSebastiano Explore the extraordinary relationship between two great Italian masters, Michelangelo and Sebastiano del Piombo, who found common ground in the fiercely competitive world of High Renaissance Rome. Having met in Rome in 1511, as Michelangelo was finishing his decoration of the Sistine Chapel ceiling, Sebastiano and he became friends and began collaborating artistically. Their meeting sparked a remarkable 25-year friendship and partnership; yielding outstanding works of art that neither could have created without the other – against a backdrop of war and religious conflict, but also of great intellectual energy and artistic innovation. Central to the exhibition are two of their collaborations: the 'Pietà' for S. Francesco in Viterbo (c.1512–16) and The Raising of Lazarus, painted for the Cathedral of Narbonne in France, and one of the foundational works in the National Gallery Collection. The exhibition also features the exceptional loan of Michelangelo’s 'The Risen Christ' (1514–15) from the Church of S. Vincenzo Martire in Bassano Romano, Italy, and a cutting-edge recreation of the Borgherini Chapel in S. Pietro in Montorio, Rome – decorated by Sebastiano to partial designs by Michelangelo. Comprising paintings, drawings, sculpture, and letters documenting correspondence between the artists, this groundbreaking exhibition presents works of striking force and originality. Book tickets: http://bit.ly/2m9G8KU Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 6770 The National Gallery
History of Taste: Margarito d'Arezzo and a revolution in collecting | National Gallery
 
02:22
Senior Research Curator Susanna Avery-Quash explores the history of taste in the National Gallery's collection. Learn about one of the earliest paintings in the Gallery's collection, Margarito d'Arezzo's 'The Virgin and Child Enthroned, with Narrative Scenes', and how it sparked a revolution in taste and why it was acquired for the nation's collection by our first Director, Sir Charles Eastlake. Subscribe for more videos: http://bit.ly/1HrNTFd Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 1713 The National Gallery
Dressed in Gold | Gold | National Gallery
 
07:04
In addition to creating richly textured backgrounds and gilded frames, gold can also feature in the clothing and accessories of the sitter; in jewellery, crowns, sumptuous fabrics and other luxurious objects. Join experts from the National Gallery and the Victoria & Albert Museum to explore how artists such as Rembrandt, Bellini, Moroni and Van Dyck have portrayed sitters dressed in gold to convey their power, wealth, and more. New episodes will be released weekly. #ArtGold Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalg... Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6713 The National Gallery
Van Gogh Sunflowers Facebook Live
 
01:19
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration. The relay consisted of five 15-minute episodes, presented by leading art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Die Pinakotheken in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch back the broadcasts and learn more here: http://bit.ly/2hFCzOu Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 13060 The National Gallery
Another side of Impressionism: Tom Roberts | Australia's Impressionists | National Gallery
 
01:37
How did the London landscapes of artists like James Abbott McNeill Whistler inspire Australian artist Tom Roberts? 'Australia's Impressionists' co-curator Christopher Riopelle explores Roberts' paintings of London, including a beautiful landscape depicting Trafalgar Square, right on the doorstep of the National Gallery. Watch more episodes here: http://bit.ly/2k8qqkE Australia's Impressionists 7 December 2016 – 26 March 2017 Book tickets: http://bit.ly/2ks9mr5 Showcasing four innovative Australian Impressionist artists, Tom Roberts, Arthur Streeton, Charles Conder, and John Russell, this exhibition explores Impressionism in an Australian context – closely related to yet entirely distinct from its European counterparts. Follow the National Gallery on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 2193 The National Gallery
History of Taste: Claude and the Old Masters | National Gallery
 
02:20
Senior Research Curator Susanna Avery-Quash explores the history of taste in the National Gallery's collection. Discover why Claude's 'Seaport with the Embarkation of the Queen of Sheba' is so important to the National Gallery's history and how Claude's works came to be on display next to paintings by J.M.W Turner in Room 15. Subscribe for more videos: http://bit.ly/1HrNTFd Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 1894 The National Gallery
Sandro Botticelli: Venus and Mars in Renaissance Florence | National Gallery
 
27:36
Caroline Campbell, The Jacob Rothschild Head of the Curatorial Department, discusses Italian Renaissance artist Sandro Botticelli's painting 'Venus and Mars', an intriguing mythological scene depicting Venus, the goddess of Love, and Mars, the god of War. She looks at some possible classical sources for this work of art, and explores the reasons why it might have been painted for Botticelli's patron in Florence. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 24028 The National Gallery
Time and eternity: Yesterday, today, and always | The audacity of Christian art
 
06:40
Like place, time is an important theological category and, like the Incarnation, it can be hard to comprehend. This episode looks at sophisticated ways of handling different but related time frames in Ercole de’ Roberti’s ‘The Dead Christ’ (about 1490) and the exquisite ‘The Deposition’ by the Master of the Saint Bartholomew Altarpiece (about 1500–5). ‘The Audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3812 The National Gallery
Another side of Impressionism: Charles Conder | Australia's Impressionists | National Gallery
 
01:35
Though they never met, what similarities are there in the work of Australian artist Charles Conder and French Post-Impressionist Georges Seurat? 'Australia's Impressionists' co-curator Christopher Riopelle introduces us to Charles Conder, one of four innovative Australian painters in the exhibition. Watch more episodes here: http://bit.ly/2k8qqkE Australia's Impressionists 7 December 2016 – 26 March 2017 Book tickets: http://bit.ly/2ks9mr5 Showcasing four innovative Australian Impressionist artists, Tom Roberts, Arthur Streeton, Charles Conder, and John Russell, this exhibition explores Impressionism in an Australian context – closely related to yet entirely distinct from its European counterparts. Follow the National Gallery on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 1354 The National Gallery
Canaletto: view paintings of Venice | National Gallery
 
30:44
Watch Associate Curator Francesca Whitlum-Cooper discuss Canaletto and his incredible view paintings of Venice, which were hugely in demand, particularly with British visitors on the Grand Tour. She focuses on Canaletto's painting 'The Stonemason's Yard', a mysterious and perhaps more unusual Venetian view from the artist. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 16354 The National Gallery
Framing Gold | Gold | National Gallery
 
06:38
Go behind the scenes of the Gallery's Framing Department to explore the frames of some of our most significant paintings, including Sebastiano del Piombo's 'The Raising of Lazarus', and learn how to apply gold leaf with Frame Conservator, Isabella. Gold shines bright throughout the National Gallery's collection, being used to depict glittering jewellery, extravagant fabrics and golden gifts with gold leaf featuring in both the paintings and the frames themselves. This festive season, go behind the scenes at the Gallery to explore how and why artists have used gold throughout the collection with our Gold film series. New episodes will be released weekly. #ArtGold Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4773 The National Gallery
Stories of Gold | Gold | National Gallery
 
06:52
How do artists convey stories of gold? From the Christmas gifts of the Three Kings to Venus’s golden apple, learn more about spectacular paintings by Rubens, Macchietti, Foppa and Bruegel where golden objects appear. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 6725 The National Gallery
George Stubbs: portrait of the horse Whistlejacket | National Gallery
 
25:32
National Gallery Adult Learning Programmer Matthew Morgan gives an in-depth talk on George Stubbs's magnificent painting of the race horse Whistlejacket. Enjoy an insight into Stubbs's painting technique, and how he came to paint 'Whistlejacket' for the Marquess of Rockingham. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 12205 The National Gallery
Peter Paul Rubens: Painting Samson and Delilah | National Gallery
 
28:49
Watch Freelance lecturer James Heard discuss Rubens's painting of the biblical story 'Samson and Delilah'. He examines Rubens's extraordinary technique and some possible inspirations behind the work, including Caravaggio and Michelangelo. He also looks at how this painting was created specifically to hang above a fireplace in the house of the mayor of Antwerp at the time. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 20009 The National Gallery
The Raising of Lazarus  | The Credit Suisse Exhibition: Michelangelo & Sebastiano | National Gallery
 
03:59
National Gallery experts, Matthias Wivel and Jill Dunkerton reveal new insights into Michelangelo and Sebastiano del Piombo’s ‘The Raising of Lazarus’, a great altarpiece painted for the Cathedral of Narbonne in France, and one of the foundational works in the National Gallery Collection. Book for 'The Credit Suisse Exhibition: Michelangelo & Sebastiano': http://bit.ly/2m9G8KU Subscribe for more videos: http://bit.ly/1HrNTFd The Credit Suisse Exhibition: Michelangelo & Sebastiano 15 March - 25 June 2017 #MichelangeloSebastiano Explore the extraordinary relationship between two great Italian masters, Michelangelo and Sebastiano del Piombo, who found common ground in the fiercely competitive world of High Renaissance Rome. Having met in Rome in 1511, as Michelangelo was finishing his decoration of the Sistine Chapel ceiling, Sebastiano and he became friends and began collaborating artistically. Their meeting sparked a remarkable 25-year friendship and partnership; yielding outstanding works of art that neither could have created without the other – against a backdrop of war and religious conflict, but also of great intellectual energy and artistic innovation. Central to the exhibition are two of their collaborations: the 'Pietà' for S. Francesco in Viterbo (c.1512–16) and The Raising of Lazarus, painted for the Cathedral of Narbonne in France, and one of the foundational works in the National Gallery Collection. The exhibition also features the exceptional loan of Michelangelo’s 'The Risen Christ' (1514–15) from the Church of S. Vincenzo Martire in Bassano Romano, Italy, and a cutting-edge recreation of the Borgherini Chapel in S. Pietro in Montorio, Rome – decorated by Sebastiano to partial designs by Michelangelo. Comprising paintings, drawings, sculpture, and letters documenting correspondence between the artists, this groundbreaking exhibition presents works of striking force and originality. Book tickets: http://bit.ly/2m9G8KU Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 2394 The National Gallery
Curator’s Introduction | The Credit Suisse Exhibition: Michelangelo & Sebastiano | National Gallery
 
51:28
Exhibition curator Matthias Wivel gives an introduction to our spring exhibition, ‘The Credit Suisse Exhibition: Michelangelo & Sebastiano’. Book for 'The Credit Suisse Exhibition: Michelangelo & Sebastiano': http://bit.ly/2m9G8KU Subscribe for more videos: http://bit.ly/1HrNTFd The Credit Suisse Exhibition: Michelangelo & Sebastiano 15 March - 25 June 2017 #MichelangeloSebastiano Explore the extraordinary relationship between two great Italian masters, Michelangelo and Sebastiano del Piombo, who found common ground in the fiercely competitive world of High Renaissance Rome. Having met in Rome in 1511, as Michelangelo was finishing his decoration of the Sistine Chapel ceiling, Sebastiano and he became friends and began collaborating artistically. Their meeting sparked a remarkable 25-year friendship and partnership; yielding outstanding works of art that neither could have created without the other – against a backdrop of war and religious conflict, but also of great intellectual energy and artistic innovation. Central to the exhibition are two of their collaborations: the 'Pietà' for S. Francesco in Viterbo (c.1512–16) and The Raising of Lazarus, painted for the Cathedral of Narbonne in France, and one of the foundational works in the National Gallery Collection. The exhibition also features the exceptional loan of Michelangelo’s 'The Risen Christ' (1514–15) from the Church of S. Vincenzo Martire in Bassano Romano, Italy, and a cutting-edge recreation of the Borgherini Chapel in S. Pietro in Montorio, Rome – decorated by Sebastiano to partial designs by Michelangelo. Comprising paintings, drawings, sculpture, and letters documenting correspondence between the artists, this groundbreaking exhibition presents works of striking force and originality. Book tickets: http://bit.ly/2m9G8KU Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 10079 The National Gallery
Michael Palin on his favourite paintings | National Gallery
 
56:30
Comedian, actor, writer, television presenter and former member of Monty Python, Michael Palin joins the National Gallery's Head of Curatorial, Caroline Campbell, to share his top ten paintings in the National Gallery collection in a special in conversation event. The discussion features beautifully composed Renaissance works by artists like Duccio, an extravagant scene by Bronzino (who painted the foot used by Monty Python's Terry Gilliam in his animations), as well as some of the most most popular paintings in the collection, from Holbein's 'The Ambassadors' to J.M.W. Turner, alongside some lesser-known gems. Recorded at the National Gallery on 5 May 2017. Painting mentioned during the talk: ‘The Annunciation’ by Duccio, 1307/8-11: http://bit.ly/2tjcD0N ‘Portrait of a Lady’ by Alesso Baldovinetti, about 1465: http://bit.ly/2tiW0SY ‘The Nativity at Night’ by Geertgen tot Sint Jans, possibly about 1490: http://bit.ly/2tj3lBN ‘Saint Jerome in his Study’ by Antonello da Messina, about 1475: http://bit.ly/2tiT48C ‘An Allegory with Venus and Cupid’ by Bronzino, about 1545: http://bit.ly/2tiT9sW ‘The Ambassadors’ by Hans Holbein the Younger, 1533: http://bit.ly/2e0soTJ ‘The Tailor ('Il Tagliapanni')’ by Giovanni Battista Moroni, 1565-70: http://bit.ly/2timnIu ‘Saint Francis in Meditation’ by Francisco de Zurbarán, 1635-9: http://bit.ly/2v9SmHZ ‘Marriage A-la-Mode: 2, The Tête à Tête’ by William Hogarth, about 1743: http://bit.ly/2va33KQ ‘Winter Landscape’ by Caspar David Friedrich, probably 1811: http://bit.ly/2tiPUlu ‘The Fighting Temeraire’ by Joseph Mallord William Turner, 1839: http://bit.ly/2skJi55 Watch more National Gallery talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 19266 The National Gallery
Vincent van Gogh Sunflowers Live London
 
13:34
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration led by art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Neue Pinakothek in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch a recording of the first Facebook Live broadcast presented by Chris Riopelle, Curator of Post 1800 Paintings at the National Gallery, exploring the story behind our ‘Sunflowers’ painting. The relay consisted of five 15-minute episodes, and you can watch the other Live broadcasts on Facebook using the links below: Van Gogh Museum : http://bit.ly/2i2Aoos Neue Pinakothek: http://bit.ly/2i17Yv9 Philadelphia Museum of Art: http://bit.ly/2i1frdq Seiji Togo Memorial Sompo Japan Nipponkoa Museum: http://bit.ly/2uWZTZG Learn more about #SunflowersLive here: http://bit.ly/2hFCzOu Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalg... Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 10582 The National Gallery
Curator's Introduction | Reflections: Van Eyck and the Pre-Raphaelites | National Gallery
 
44:10
Susan Foister, Deputy Director of the National Gallery, and Alison Smith, Lead Curator of 19th Century British Art at Tate Britain, introduce 'Reflections: Van Eyck and the Pre-Raphaelites'. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Pre-book online and save: http://bit.ly/2wBPZiu Members go free: http://bit.ly/2wLVDP Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 5885 The National Gallery
Early Collaborations | The Credit Suisse Exhibition: Michelangelo & Sebastiano | National Gallery
 
03:31
Renaissance art experts, Matthias Wivel and Costanza Barbieri explore two of Michelangelo and Sebastiano del Piombo’s early collaborations – the 'Pietà' for San Francesco in Viterbo and the Borgherini Chapel in San Pietro in Montorio, Rome. Book for 'The Credit Suisse Exhibition: Michelangelo & Sebastiano': http://bit.ly/2m9G8KU Subscribe for more videos: http://bit.ly/1HrNTFd The Credit Suisse Exhibition: Michelangelo & Sebastiano 15 March - 25 June 2017 #MichelangeloSebastiano Explore the extraordinary relationship between two great Italian masters, Michelangelo and Sebastiano del Piombo, who found common ground in the fiercely competitive world of High Renaissance Rome. Having met in Rome in 1511, as Michelangelo was finishing his decoration of the Sistine Chapel ceiling, Sebastiano and he became friends and began collaborating artistically. Their meeting sparked a remarkable 25-year friendship and partnership; yielding outstanding works of art that neither could have created without the other – against a backdrop of war and religious conflict, but also of great intellectual energy and artistic innovation. Central to the exhibition are two of their collaborations: the 'Pietà' for S. Francesco in Viterbo (c.1512–16) and The Raising of Lazarus, painted for the Cathedral of Narbonne in France, and one of the foundational works in the National Gallery Collection. The exhibition also features the exceptional loan of Michelangelo’s 'The Risen Christ' (1514–15) from the Church of S. Vincenzo Martire in Bassano Romano, Italy, and a cutting-edge recreation of the Borgherini Chapel in S. Pietro in Montorio, Rome – decorated by Sebastiano to partial designs by Michelangelo. Comprising paintings, drawings, sculpture, and letters documenting correspondence between the artists, this groundbreaking exhibition presents works of striking force and originality. Book tickets: http://bit.ly/2m9G8KU Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 2527 The National Gallery
Paolo Veronese: a moment in the story of Alexander the Great | National Gallery
 
26:15
Freelance lecturer Karly Allen discusses Venetian artist Paolo Veronese's extraordinary work 'The Family of Darius before Alexander'. This theatrical and lavishly painted scene depicts the family of the defeated Persian King Darius III kneeling before the victorious Alexander the Great. Karly tells the story of their meeting, and explains how Veronese's painting technique helps to capture this dramatic moment. Watch more Lunchtime Talks: http://bit.ly/1ox9gwx Subscribe and never miss a new video: http://bit.ly/1HrNTFd Would you like to attend our Lunchtime Talks? Take a look at our program: https://www.nationalgallery.org.uk/lunchtime-talks Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 7322 The National Gallery
Putting God in His place: Here, everywhere, and nowhere | The audacity of Christian art
 
06:40
How do artists handle the challenge of attempting to depict a figure who lived a human life on earth – at a specific time and in specific places – but who was simultaneously divine, beyond place and time? In this episode Chloë Reddaway shows how artists have used ‘place’ in their paintings to point to the limitations of our vision and understanding when pondering this mystery, focusing on the mysterious location of Lorenzo di Credi’s ‘The Virgin and Child’ (about 1480–5) and the spatial metaphors at work in Filippo Lippi’s ‘The Annunciation’ (about 1450–3). ‘The audacity of Christian art: The problem of painting Christ’ is a seven-part series in which Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, explores the theological and artistic challenges involved in painting Christ as fully human and fully divine, and reveals some of the ingenious and surprising ways in which Renaissance artists responded. Subscribe to be the first to know about new episodes: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/pg/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery Help keep the museum accessible for everyone by supporting us here: http://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 4172 The National Gallery
Olafur Eliasson's 'Room for one colour' | Monochrome: Painting in Black and White
 
01:38
Made in collaboration with our Young Producers, watch how visitors have reacted to artist Olafur Eliasson's 'Room for one colour', an immersive light installation currently featuring in our exhibition, 'Monochrome: Painting in Black and White'. Monochrome: Painting in Black and White 30 October 2017 – 18 February 2018 Sainsbury Wing Members go free. Pre-book tickets online and save: http://bit.ly/2wWXfWb Explore the tradition of painting in black and white from its beginnings in the Middle Ages through the Renaissance and into the 21st century. Painting using predominantly black-and-white pigments has long held a fascination for artists, yet there has never been a major exhibition on the subject. ‘Monochrome’ presents a series of case studies that investigate where and when grisaille painting was used and to what effect: from early religious works to paintings that emulate sculpture or respond to other media such as printmaking, photography, and film. Comprising works on glass, vellum, ceramic, silk, wood, and canvas by artists such as Rembrandt, Picasso, and Gerhard Richter (1932–), ‘Monochrome’ encourages visitors to trace the fascinating but little-studied history of black-and-white painting. Exhibition organised by the National Gallery in collaboration with Museum Kunstpalast, Düsseldorf. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery
Views: 1768 The National Gallery
Vincent Van Gogh Sunflowers Live Amsterdam
 
11:48
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration led by art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Neue Pinakothek in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch a recording of the second Facebook Live broadcast presented by Axel Rüger, Director of the Van Gogh Museum. Learn more about #SunflowersLive here: http://bit.ly/2hFCzOu Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalg... Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3475 The National Gallery
Curator's Introduction | Drawn in Colour: Degas from the Burrell | National Gallery
 
49:55
Exhibition co-curator Julien Domercq introduces our free exhibition, 'Drawn in Colour: Degas from the Burrell'. Learn more about the exhibition here: http://bit.ly/2wEnWNO Admission free, donations welcome. Open until 7 May 2018. Subscribe for more videos: http://bit.ly/1HrNTFd Drawn in Colour: Degas from the Burrell 20 September 2017 - 7 May 2018 Ground Floor Galleries This exhibition is a rare opportunity to see stunning paintings, pastels, and drawings by leading French Impressionist Hilaire-Germain-Edgar Degas. The Burrell Collection holds one of the greatest collections of Degas’s works in the world. Rarely seen in public, this exhibition marks the first time the group of 20 pastels has been shown outside of Scotland, since they were acquired. One of the greatest artistic innovators of his age, Degas found new ways of depicting modern Parisian life; pursuing a vision distinct from that of his fellow Impressionists. He also relentlessly experimented with materials, particularly pastel that he came to prefer over oil paint. Coinciding with the centenary of Degas’s death, and including complementary works from the National Gallery Collection, the exhibition offers unique insight into the practices and preoccupations of a complex and intensely private artist. Exhibition organised by the National Gallery in collaboration with the Burrell Collection, Glasgow. Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 4935 The National Gallery
Vincent van Gogh Sunflowers Live Philadelphia
 
08:43
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration led by art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Neue Pinakothek in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch a recording of the fourth Facebook Live broadcast presented by Jennifer Thompson, the Gloria and Jack Drosdick Curator of European Painting & Sculpture & Curator of the John G. Johnson Collection, European Painting at Philadelphia Museum of Art. Learn more about #SunflowersLive here: http://bit.ly/2hFCzOu Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalg... Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 2894 The National Gallery
History of Taste: Degas and the French Impressionists
 
02:14
Senior Research Curator Susanna Avery-Quash explores the history of taste in the National Gallery's collection. Discover how Degas's 'Beach Scene' came to be one of the first French Impressionist paintings to enter the Gallery's collection, the important role of changing tastes and the bequest of collector, Hugh Lane. Subscribe for more videos: http://bit.ly/1HrNTFd Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd
Views: 1940 The National Gallery
Chris Ofili: Weaving Magic | Curator's Introduction | National Gallery
 
39:20
Minna Moore Ede, the curator of 'Chris Ofili: Weaving Magic', introduces the exhibition, an unveiling of Turner Prize winner Chris Ofili's new tapestry, handwoven by Dovecot Tapestry Studio. Find out more about the exhibition: http://bit.ly/2qZNoyQ Chris Ofili: Weaving Magic 26 April – 28 August 2017 Sunley Room Find out more: http://bit.ly/2qZNoyQ Commissioned by the Clothworkers’ Company, Ofili has been collaborating with the internationally renowned Dovecot Tapestry Studio to see his design translated into a handwoven tapestry. The imagery reflects Ofili’s ongoing interest in classical mythology and the stories, magic, and colour of the Trinidadian landscape he inhabits. Follow the National Gallery: Twitter https://twitter.com/NationalGallery Facebook https://www.facebook.com/thenationalgallery/ Instagram https://www.instagram.com/national_gallery/ Support the National Gallery by becoming a Member: http://bit.ly/1gUnIKj Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd 'Chris Ofili: Weaving Magic' is supported by Hiscox, Contemporary Art Partner of the National Gallery.
Views: 6427 The National Gallery
Coming soon | 2018 exhibitions | National Gallery
 
01:09
Discover our upcoming exhibitions exploring architecture in the paintings of Claude Monet, the relationship between Renaissance artists Mantegna and Bellini, the landscapes of 19th-century American artist Thomas Cole, and more. Find out more: http://bit.ly/2syOsY1 Become a Member and attend all our exhibitions for free: http://bit.ly/2lFgD7A Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 17274 The National Gallery
Another side of Impressionism: John Russell | Australia's Impressionists | National Gallery
 
01:31
What did Australian artist John Russell learn from Vincent van Gogh? In the first episode of Another side of Impressionism, 'Australia's Impressionists' co-curator, Christopher Riopelle, explains how the vibrant colours and techniques of the European artists Russell encountered in France influenced his work. Watch more episodes here: http://bit.ly/2k8qqkE Australia's Impressionists 7 December 2016 – 26 March 2017 Book tickets: http://bit.ly/2ks9mr5 Showcasing four innovative Australian Impressionist artists, Tom Roberts, Arthur Streeton, Charles Conder, and John Russell, this exhibition explores Impressionism in an Australian context – closely related to yet entirely distinct from its European counterparts. Follow the National Gallery on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalgallery/ Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 5153 The National Gallery
Curators' Introduction | Monochrome: Painting in Black and White | National Gallery
 
49:59
Jennifer Sliwka and Lelia Packer, curators of 'Monochrome: Painting in Black and White', introduce the exhibition. Monochrome: Painting in Black and White 30 October 2017 – 18 February 2018 Sainsbury Wing Members go free. Pre-book tickets online and save: http://bit.ly/2wWXfWb Explore the tradition of painting in black and white from its beginnings in the Middle Ages through the Renaissance and into the 21st century. Painting using predominantly black-and-white pigments has long held a fascination for artists, yet there has never been a major exhibition on the subject. ‘Monochrome’ presents a series of case studies that investigate where and when grisaille painting was used and to what effect: from early religious works to paintings that emulate sculpture or respond to other media such as printmaking, photography, and film. Comprising works on glass, vellum, ceramic, silk, wood, and canvas by artists such as Rembrandt, Picasso, and Gerhard Richter (1932–), ‘Monochrome’ encourages visitors to trace the fascinating but little-studied history of black-and-white painting. Exhibition organised by the National Gallery in collaboration with Museum Kunstpalast, Düsseldorf. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery
Views: 4525 The National Gallery
Trailer | Monochrome: Painting in Black and White | National Gallery
 
00:54
Explore the tradition of painting in black and white from its beginnings in the Middle Ages through the Renaissance and into the 21st century. Monochrome: Painting in Black and White 30 October 2017 – 18 February 2018 Sainsbury Wing Find out more: http://bit.ly/2wWXfWb Painting using predominantly black-and-white pigments has long held a fascination for artists, yet there has never been a major exhibition on the subject. ‘Monochrome’ presents a series of case studies that investigate where and when grisaille painting was used and to what effect: from early religious works to paintings that emulate sculpture or respond to other media such as printmaking, photography, and film. Comprising works on glass, vellum, ceramic, silk, wood, and canvas by artists such as Rembrandt, Picasso, and Gerhard Richter (1932–), ‘Monochrome’ encourages visitors to trace the fascinating but little-studied history of black-and-white painting. Exhibition organised by the National Gallery in collaboration with Museum Kunstpalast, Düsseldorf. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 18637 The National Gallery
Vincent van Gogh Sunflowers Live Munich
 
10:34
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration led by art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Neue Pinakothek in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch a recording of the third Facebook Live broadcast presented by Nadine Engel, Research Associate for Neue Pinakothek, Munich. Learn more about #SunflowersLive here: http://bit.ly/2hFCzOu Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalg... Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 2080 The National Gallery
Vincent van Gogh Sunflowers Live Tokyo
 
04:37
On 14 August 2017, in a world-first Facebook Live relay, Vincent van Gogh's 'Sunflowers' paintings were united virtually in a unique collaboration led by art experts from the National Gallery, the Van Gogh Museum in Amsterdam, Neue Pinakothek in Munich, Philadelphia Museum of Art and Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art. Watch a recording of the fifth Facebook Live broadcast presented by Shôko Kobayashi, Chief Curator at Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art in Tokyo. Learn more about #SunflowersLive here: http://bit.ly/2hFCzOu Subscribe and never miss a new video: http://bit.ly/1HrNTFd Follow us on social media: Twitter: https://twitter.com/NationalGallery Facebook: https://www.facebook.com/thenationalg... Instagram: https://www.instagram.com/national_ga... Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 1587 The National Gallery
Curator's introduction | Lake Keitele: A Vision of Finland | National Gallery
 
52:00
Anne Robbins, Associate Curator of Post-1800 Paintings, introduces Lake Keitele: A Vision of Finland. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/
Views: 3295 The National Gallery
Trailer: The audacity of Christian art | National Gallery
 
00:56
How do you paint a figure who is fully human and fully divine? Presented by Dr Chloë Reddaway, Howard and Roberta Ahmanson Curator in Art and Religion at the National Gallery, this series of seven short films looks at paintings from the National Gallery’s Renaissance collection and explores some surprising and ingenious artistic responses to the challenge of painting Christ. New episodes to be released weekly. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
Views: 3791 The National Gallery

Pubg Forums Xbox Can Be Fun for Everyone

Pubg Forums Xbox - Dead or Alive?

You need to compose an interesting and appealing profile, post a decent and recent photo and so forth. If youve got specific feedback for things we might change to create the system better, weve got forums for that. Our forums and internet chat area are a terrific place to meet and interact with different members.
An internet dating site devoted to health buffs for example, is pretty much enjoy a health club, but for the treadmill of course. If you prefer the most accurate price check, conduct the initial two methods and youll be helpful to go. There are several tier lists to help you decide which heroes you ought to be placing your time into, and thus dont take the word of the very first list you read. Instead, youre restricted to the amount of weapons and items you may carry at the same time. Especially if the quantity of players playing from PC proceeds to increase.
Pubg Forums Xbox Can Be Fun for Everyone

Its possible for you to reconnect at any point in a match youve left provided that you dont have a leaver penalty. There is no purpose in setting a question which everyone will know the response to. Another very good suggestion for your writing quiz questions is to attempt to keep the questions interesting. There are lots of totally free quiz questions online, but nevertheless, it can have a very long time to compose a great quiz and guarantee the answers are accurate so it can be well worth buying a pre-made quiz online. If a person doesnt know the answer, they ought to want to understand.
You will need to talk with your friend. If its not, attempt to stay friends with your initial friend. Not everybody is likely to get along so concentrate on the folks who have proven to be your true friend. In life, it is quite normal for individuals to have different friends and see them on various occasions.
If you disconnect during a competitive match, attempt to reconnect as soon as possible and complete the match. Of course whenever youre building the ideal team youll want the best heroes in the game. All it needed was a group of lemmings ready to have a beating.
Games unfortunately are a luxury and not a necessity, so they are most likely likely to be among the very first things to think about when deciding where you have to cut back on so far as your budget is concerned. In case you go over 100, youre out of the game. Finally, the play constricts to a very small area for the last showdown between the rest of the players there can only be one winner! Some players may discover that reinstalling PUBG is also essential. Many players can resolve their crashes by temporarily removing all graphics card overclocking. It is possible to always try out working with your fellow players and us Blue Posters here in order to get the reason for your tech issue.
The Death of Pubg Forums Xbox

Unlike PUBG, youre in a position to carry over two guns. Pressing Y cycles through your three guns, so if you would like to change from your secondary gun to your primary, you want to switch twice as a way to cycle via your pistol. In addition, all weapons are removed from the starting locations.