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Under van Eyck's Arnolfini Portrait | Reflections: Van Eyck and the Pre-Raphaelites

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Discover the astounding masterpiece hidden beneath van Eyck’s famous ‘Arnolfini Portrait’. Using infrared reflectography, Rachel Billinge explains aspects of the artist’s meticulous underdrawing for the work and some of the fascinating secrets it reveals. Reflections: Van Eyck and The Pre-Raphaelites 2 October 2017 – 2 April 2018 Sunley Room Find out more: http://bit.ly/2wBPZiu Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning. The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work. This exhibition is organised by the National Gallery in collaboration with Tate Britain. Subscribe to be the first to know about all our new videos: http://bit.ly/1HrNTFd Like the National Gallery on Facebook: https://www.facebook.com/thenationalgallery/ Follow the National Gallery on Twitter: https://twitter.com/NationalGallery Follow the National Gallery on Instagram: https://www.instagram.com/national_gallery/ Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/su... The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. Trafalgar Square, London, WC2N 5DN https://www.nationalgallery.org.uk
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Text Comments (8)
Katherin Farietta (2 months ago)
The sight or look of the wife was reworked... Experts say the way she looked up in this portrait make us conclude they were from the same economic possition. However, if we see trough the infra -red the sight was initially different ! I wonder why Van eyck decided to change it .. Due to her death ...?
Thomas Bolger (3 months ago)
It is my understanding that in the mirror is a witness to a marriage between this couple, I believe that during this time marriage could be performed by someone to witness it. Your not mentioning this could mean I'm misinformed. Could you comment on this? Thanks very much. Tom Bolger.
virginia Maggiotti (5 months ago)
Que bellos
singlespies (5 months ago)
It looks like the only parts that were reworked were the two human figures.  Does this  bolster the argument of those claiming that Van Eyck used optical devices to render all the other stuff in the painting?  The chandelier, the drapery, the room itself and all its details seem to have been put in place correctly on the first go.  Considering the relative lack of realism in the face and hands of the two figures (and the stylized treatment of the dog) I think I'm beginning to believe these old masters did use optical devices.
BIZEB (5 months ago)
No. And look closer, the objects are not exactly the same, specially the broom-like object near the bed.
NickPenlee (5 months ago)
Damn; I hoped we were going to see whether she had a baby in her tummy in the underpainting. I guess that infra-red isn't quite the same an ultra-sound.lol
james walker (5 months ago)
Stunning it makes me want to look further into this whole field
Marina Viatkina (5 months ago)
Brilliant! Thank you for sharing this truly hidden gem!

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